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Welcome to theoscarsite's yearly Oscars® pages

This page covers the Awards for 1937. If you wish, read my disclaimer.

Click here for information on the Awards Ceremony for this year's nominees.

 Use this link to go to my listing of every film and every person ever nominated for an Award! 

 Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards! 

"Nobody wins two years in a row."
-- Paul Muni

Best Picture
 THE AWFUL TRUTH - Columbia. Produced by Leo McCarey, with Everett Riskin
 CAPTAINS COURAGEOUS - MGM. Produced by Louis D. Lighton
 DEAD END - Goldwyn, UA. Produced by Samuel Goldwyn, with Merritt Hulbert
 THE GOOD EARTH - MGM. Produced by Irving Thalberg, with Albert Lewin
 IN OLD CHICAGO - 20th Century-Fox. Produced by Darryl F. Zanuck, with Kenneth MacGowan
 THE LIFE OF EMILE ZOLA (Won 3 Awards) - Warner Bros. Produced by Henry Blanke
 LOST HORIZON - Columbia. Produced by Frank Capra
 ONE HUNDRED MEN AND A GIRL - Universal. Produced by Charles Rogers, with Joe Pasternak
 STAGE DOOR - RKO Radio. Produced by Pandro S. Berman
 A STAR IS BORN - Selznick Productions, UA. Produced by David O. Selznick

Actor
 Charles Boyer in CONQUEST
 Fredric March in A STAR IS BORN
 Robert Montgomery in NIGHT MUST FALL
 Paul Muni in THE LIFE OF EMILE ZOLA
 Spencer Tracy in CAPTAINS COURAGEOUS

Actress
 Irene Dunne in THE AWFUL TRUTH
 Greta Garbo in CAMILLE
 Janet Gaynor in A STAR IS BORN
 Luise Rainer in THE GOOD EARTH
 Barbara Stanwyck in STELLA DALLAS

Supporting Actor
 Ralph Bellamy in THE AWFUL TRUTH
 Thomas Mitchell in THE HURRICANE
 Joseph Schildkraut in THE LIFE OF EMILE ZOLA
 H. B. Warner in LOST HORIZON
 Roland Young in TOPPER

Supporting Actress
 Alice Brady in IN OLD CHICAGO
 Andrea Leeds in STAGE DOOR
 Anne Shirley in STELLA DALLAS
 Claire Trevor in DEAD END
 Dame May Whitty in NIGHT MUST FALL

Directing
 William Dieterle for THE LIFE OF EMILE ZOLA
 Sidney Franklin for THE GOOD EARTH
 Gregory La Cava for STAGE DOOR
 Leo McCarey for THE AWFUL TRUTH
 William A. Wellman for A STAR IS BORN

Writing (Screenplay)
 Vina Delmar - THE AWFUL TRUTH
 Marc Connelly, John Lee Mahin & Dale Van Every - CAPTAINS COURAGEOUS
 Heinz Herald, Geza Herczeg & Norman Reilly Raine - THE LIFE OF EMILE ZOLA
 Morrie Ryskind & Anthony Veiller - STAGE DOOR
 Alan Campbell, Robert Carson & Dorothy Parker - A STAR IS BORN

Writing (Original Story)
 Robert Lord - BLACK LEGION
 Niven Busch - IN OLD CHICAGO
 Heinz Herald & Geza Herczeg - THE LIFE OF EMILE ZOLA
 Hans Kraly - ONE HUNDRED MEN AND A GIRL
 William A. Wellman & Robert Carson - A STAR IS BORN

Interior Decoration
 Cedric Gibbons & William Horning - CONQUEST
 Carroll Clark - A DAMSEL IN DISTRESS
 Richard Day - DEAD END
 Wiard Ihnen - EVERY DAY'S A HOLIDAY
 Anton Grot - THE LIFE OF EMILE ZOLA
 Stephen Goosson - LOST HORIZON
 John Victor Mackay - MANHATTAN MERRY-GO-ROUND
 Lyle Wheeler - THE PRISONER OF ZENDA
 Hans Dreier & Roland Anderson - SOULS AT SEA
 Alexander Toluboff - VOGUES OF 1938
 William S. Darling & David Hall - WEE WILLIE WINKIE
 Jack Otterson - YOU'RE A SWEETHEART

Cinematography
 Gregg Toland - DEAD END
 Karl Freund - THE GOOD EARTH
 Joseph Valentine - WINGS OVER HONOLULU Film Editing
 Al Clark - THE AWFUL TRUTH
 Elmo Vernon - CAPTAINS COURAGEOUS
 Basil Wrangell - THE GOOD EARTH
 Gene Havlick & Gene Milford - LOST HORIZON
 Bernard W. Burton - ONE HUNDRED MEN AND A GIRL

Assistant Director This Award not given after 1937.
 C.C. Coleman, Jr. - LOST HORIZON
 Russ Saunders - THE LIFE OF EMILE ZOLA
 Eric Stacey - A STAR IS BORN
 Hal Walker - SOULS AT SEA
 Robert Webb - IN OLD CHICAGO

Dance Direction This Award not given after 1937.
 Busby Berkeley - VARSITY SHOW: "The Finale"
 Bobby Connolly - READY, WILLING AND ABLE: "Too Marvelous for Words"
 Dave Gould - A DAY AT THE RACES: "All God's Children Got Rhythm"
 Sammy Lee - ALI BABA GOES TO TOWN: "Swing is Here to Stay"
 Harry Losee - THIN ICE: "Prince Igor Suite"
 Hermes Pan - A DAMSEL IN DISTRESS: "Fun House"
 LeRoy Prinz - WAIKIKI WEDDING: "Luau"

Music Scoring Awards (Best Score)
 Alfred Newman (Samuel Goldwyn Studio Music Department), Departmental Head, Alfred Newman - Score THE HURRICANE
 Louis Silvers (20th Century-Fox Studio Music Department), Departmental Head IN OLD CHICAGO
 Leo Forbstein (Warner Bros. Studio Music Department), Departmental Head, Max Steiner - Score THE LIFE OF EMILE ZOLA
 Morris Stoloff (Columbia Studio Music Department), Departmental Head, Dimitri Tiomkin - Score LOST HORIZON
 Dr. Hugo Riesenfeld (Principal Productions), Musical Director, Dr. Hugo Riesenfeld - Score MAKE A WISH
 Nat W. Finston (Metro-Goldwyn-Mayer Studio Music Department), Departmental Head, Herbert Stothart - Score MAYTIME
 Charles Previn (Universal Studio Music Department), Departmental Head ONE HUNDRED MEN AND A GIRL
 Alberto Colombo (Republic Studio Music Department), Departmental Head, Alberto Colombo - Score PORTIA ON TRIAL
 Alfred Newman (Selznick International Pictures Music Department), Musical Director, Alfred Newman - Score THE PRISONER OF ZENDA
 Roy Webb (RKO Radio Studio Music Department), Musical Director, Roy Webb - Score QUALITY STREET
 Leigh Harline (Walt Disney Studio Music Department), Departmental Head, Frank Churchill, Leigh Harline & Paul J. Smith - Score SNOW WHITE AND THE SEVEN DWARFS
 C. Bakaleinikoff (Grand National Studio Music Department), Musical Director, Victor Schertzinger - Score SOMETHING TO SING ABOUT
 Boris Morros (Paramount Studio Music Department), Departmental Head, W. Franke Harling & Milan Roder - Score SOULS AT SEA
 Marvin Hatley (Hal Roach Studio Music Department), Departmental Head, Marvin Hatley - Score WAY OUT WEST

Music Best Song
 Harry Warren - Music, Al Dubin - Lyrics MR. DODD TAKES THE AIR "Remember Me"
 Harry Owens - Music & Lyrics WAIKIKI WEDDING "Sweet Leilani"
 Sammy Fain - Music, Lew Brown - Lyrics VOGUES OF 1938 "That Old Feeling"
 George Gershwin - Music, Ira Gershwin - Lyrics SHALL WE DANCE "They Can't Take That Away from Me"
 Frederick Hollander - Music, Leo Robin - Lyrics ARTISTS & MODELS "Whispers in the Dark"

Short Subjects (Cartoons)
 EDUCATED FISH
 THE LITTLE MATCH GIRL - Charles Mintz, Producer
 THE OLD MILL - Walt Disney, Producer

Short Subjects (One-reel)
 A NIGHT AT THE MOVIES
 THE PRIVATE LIFE OF THE GANNETS
 ROMANCE OF RADIUM - Pete Smith, Producer

Short Subjects (Two-reel)
 DEEP SOUTH
 SHOULD WIVES WORK
 TORTURE MONEY - Jack Chertok, Producer

Short Subjects (Color)
 THE MAN WITHOUT A COUNTRY
 PENNY WISDOM - Pete Smith, Producer
 POPULAR SCIENCE J-7-1

Sound Recording
 A. E. Kaye - THE GIRL SAID NO
 John Aalberg - HITTING A NEW HIGH
 Thomas Moulton - THE HURRICANE
 E.H. Hansen - IN OLD CHICAGO
 Nathan Levinson - THE LIFE OF EMILE ZOLA
 John Livadary - LOST HORIZON
 Douglas Shearer - MAYTIME
 Homer Tasker - ONE HUNDRED MEN AND A GIRL
 Elmer Raguse - TOPPER
 Loren L. Ryder - WELLS FARGO

Scientific Or Technical
Class I (Statuette):
 Agfa Ansco Corporation - For Agfa Supreme and Agfa Ultra Speed pan motion picture negatives.
Class II (Plaque):
 Walt Disney Productions Ltd. - For the design and application to production of the Multi-Plane Camera.
 Eastman Kodak Company - For two fine-grain duplicating film stocks.
 Farciot Edouart (Paramount Pictures Inc.) - For the development of the Paramount dual screen transparency camera setup.
 Douglas Shearer (MGM Studio Sound Department) - For a method of varying the scanning width of variable density sound tracks (squeeze tracks) for the purpose of obtaining an increased amount of noise reduction.
Class III (Citation):
 John Arnold (MGM Studio Camera Department) - For their improvement of the semi-automatic follow focus device and its application to all of the cameras used by the Metro-Goldwyn-Mayer Studio.
 John Livadary (Columbia Pictures Corporation), Director of Sound Recording - For the application of the bi-planar light valve to motion picture sound recording.
 Thomas T. Moulton (United Artists Studio Sound Department) - For the application to motion picture sound recording of volume indicators which have peak reading response and linear decibel scales.
 RCA Manufacturing Company Inc. - For the introduction of the modulated high-frequency method of determining optimum photographic processing conditions for variable width sound tracks.
 Douglas Shearer (MGM Studio Sound Department) - For the design of the film drive mechanism as incorporated in the ERPI 1010 reproducer.
 Joseph E. Robbins (Paramount Pictures Inc.) - For an exceptional application of acoustic principles to the sound proofing of gasoline generators and water pumps.

Special Awards
 Mack Sennett - For his lasting contribution to the comedy technique of the screen, the basic principles of which are as important today as when they were first put into practice, the Academy presents a Special Award to that master of fun, discoverer of stars, sympathetic, kindly, understanding comedy genius. Winner presented a Statuette.
 Edgar Bergen - For his outstanding comedy creation, Charlie McCarthy. Winner presented a Wooden Statuette.
 Museum of Modern Art Film Library - For its significant work in collecting films dating from 1895 to the present and for the first time making available to the public the means of studying the historical and aesthetic development of the motion picture as one of the major arts. Winner presented a Scroll Certificate.
 W. Howard Greene A STAR IS BORN - For the color photography of A STAR IS BORN. (This Award was recommended by a committee of leading cinematographers after viewing all the color pictures made during the year.) Winner presented a Plaque.

Irving G. Thalberg Memorial Award
 Darryl F. Zanuck

FIRSTS
· Luise Rainer was the first performer to win consecutive Oscars®. She would be followed by only four other such winners: Spencer Tracy (1937, 1938), Katharine Hepburn (1967, 1968), and Tom Hanks (1993, 1994). In the Best Supporting category, only Jason Robards Jr. pulled it off for 1976 and 1977.
· The year's biggest blockbuster, The Hurricane, co-starred Dorothy Lamour, who introduced the sarong to popular culture.
· The list of winners was kept completely secret, even from the Academy officials.

RULE CHANGES
· All members of Actors, Directors and Writers Guilds nominate and vote. Extras vote on final ballot.
· Only Academy branch members nominated and voted Awards for Interior Decoration, Cinematography, Sound Recording and Film Editing.
· Every studio guaranteed a nomination for Interior Decoration, Sound Recording and Score simply by submitting an entry.
· Voting on Score Award restricted to working members.
· Directors again eligible for Writing Awards.
· Irving G. Thalberg Memorial Award added.

SINS OF OMISSION
Picture: Camille, The Hurricane, Nothing Sacred, Stella Dallas, Shall We Dance, A Day at the Races
Director: George Cukor - Camille
Actor: Cary Grant - The Awful Truth
Actress: Carole Lombard - Nothing Sacred, Katharine Hepburn - Stage Door, Ginger Rogers - Stage Door
Song: "A Foggy Day," "They All Laughed," "I've Got My Love to Keep Me Warm," "In the Still of the Night," "Let's Call the Whole Thing Off," "Nice Work If You Can Get It," "September in the Rain," "Someday My Prince Will Come"

UNMENTIONABLES
· Floods in Southern California stranded members in their homes, and the Awards banquet had to be postponed a week. $750 worth of flowers was donated to area hospitals. George Jessel, slated to emcee the ceremony, fell ill by the time the floodwaters receded, and was replaced by hillbilly comedian Bob "Bazooka" Burns.
· There was a loud gasp in the room when C. Aubrey Smith announced that the Best Actress winner was Luise Rainer. Frances Marion remembers, "The crowd at the dinner was amazed that Garbo lost to Rainer."
· Spencer Tracy was in the hospital recovering from an appendectomy. Louis B. Mayer accepted on his behalf. "It is a privilege to be the stand-in for Spencer Tracy," said Mayer at the podium. "Tracy is a fine actor, but he is most important because he understands why it is necessary to take orders from the front office." (When he heard Mayer's tribute later, Tracy asked, "Was that a compliment or a threat?")
· A mystery man accepted the Best Supporting Actress Oscar® on behalf of the bedridden Alice Brady and ran off with it. The thief was never discovered and her statuette was replaced 12 days after the Awards.
· When "Wild Bill" Wellman accepted his Oscar® for the Best Original Story for A Star Is Born, he held up the statuette and told David O. Selznick, "Here, David, you take it; you wrote more of it than I did."
· A new charter made it official: The Academy would not become involved in labor vs. management issues. Academy President Frank Capra got rid of the Academy's 50-man nominating committee and invited all guild members to vote, whether they were members of the Academy or not. Even extras got to vote on the final ballot for Best Picture, Best Acting and Best Song awards.
· When "Sweet Leilani" won Best Song over "They Can't Take That Away from Me," the buzz at the banquet was that the Gershwins were just too sophisticated for the new voters, the extras.
· When John Lee Mahin -- president of the Screen Playwrights, Inc., a group of writers who had splintered from the Screen Writers Guild, which Mahin believed evinced Communist leanings -- announced that he was refusing his Screenplay nomination, Capra wrote him: "In regard to the charge of unfair discrimination which your organization is belly-aching about, you know very well that you were given the same opportunity to participate in the Awards Committee as any other organization in Hollywood." Capra added that Mahin's nomination stood as a matter of record. "We don't care whether you accept it or throw it away or deposit it in that well-known place where everything is consigned in Hollywood."
· In a step toward reconciliation just prior to the ceremonies, Dudley Nichols accepted the Oscar® for The Informer's screenplay that he had turned down two years earlier.
· Self proclaimed "King of Comedy" Mack Sennett, creator of the Keystone Kops, was washed up and verging on bankruptcy by the time he received his Honorary Oscar® in 1938.
· At Louis B. Mayer's insistence, Greta Garbo reluctantly agreed to attend the Hollywood premiere of Camille. She wore pajamas under a fur coat. She waved to her fans, walked through the front door, and out the back without bothering to watch the film.
· Luise Rainer's marriage to playwright Clifford Odets ended after a shady therapist convinced Odets that sex would drain him of his creativity.


And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!

Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.

This page is authored by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theoscarsite.com.