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Best Picture
BLOSSOMS IN THE DUST - MGM. Produced by Irving Asher
CITIZEN KANE - RKO Radio. Produced by Orson Welles
HERE COMES MR. JORDAN - Columbia. Produced by Everett Riskin
HOLD BACK THE DAWN - Paramount. Produced by Arthur Hornblow, Jr.
HOW GREEN WAS MY VALLEY (Won 5 Awards) - 20th Century-Fox. Produced
by Darryl F. Zanuck
THE LITTLE FOXES - Goldwyn, RKO Radio. Produced by Samuel Goldwyn
THE MALTESE FALCON - Warner Bros. Produced by Hal B. Wallis
ONE FOOT IN HEAVEN - Warner Bros. Produced by Hal B. Wallis
SERGEANT YORK - Warner Bros. Produced by Jesse L. Lasky & Hal B. Wallis
SUSPICION - RKO Radio. Produced by RKO Radio
Actor
Gary Cooper in SERGEANT YORK
Cary Grant in PENNY SERENADE
Walter Huston in ALL THAT MONEY CAN BUY (a.k.a. THE DEVIL AND DANIEL WEBSTER)
Robert Montgomery in HERE COMES MR. JORDAN
Orson Welles in CITIZEN KANE
Actress
Bette Davis in THE LITTLE FOXES
Olivia De Havilland in HOLD BACK THE DAWN
Joan Fontaine in SUSPICION
Greer Garson in BLOSSOMS IN THE DUST
Barbara Stanwyck in BALL OF FIRE
Supporting Actor
Walter Brennan in SERGEANT YORK
Charles Coburn in THE DEVIL AND MISS JONES
Donald Crisp for HOW GREEN WAS MY VALLEY
James Gleason in HERE COMES MR. JORDAN
Sydney Greenstreet in THE MALTESE FALCON
Supporting Actress
Sara Allgood in HOW GREEN WAS MY VALLEY
Mary Astor in THE GREAT LIE
Patricia Collinge in THE LITTLE FOXES
Teresa Wright in THE LITTLE FOXES
Margaret Wycherly in SERGEANT YORK
Director
John Ford for HOW GREEN WAS MY VALLEY
Alexander Hall for HERE COMES MR. JORDAN
Howard Hawks for SERGEANT YORK
Orson Welles for CITIZEN KANE
William Wyler for THE LITTLE FOXES
Writing: Original Story
Thomas Monroe & Billy Wilder - BALL OF FIRE
Harry Segall - HERE COMES MR. JORDAN
Monckton Hoffe - THE LADY EVE
Richard Connell & Robert Presnell - MEET JOHN DOE
Gordon Wellesley - NIGHT TRAIN TO MUNICH
Writing: Original Screenplay
Herman J. Mankiewicz & Orson Welles - CITIZEN KANE
Norman Krasna - THE DEVIL AND MISS JONES
Harry Chandlee, Abem Finkel, John Huston & Howard Koch - SERGEANT YORK
Karl Tunberg & Darrell Ware - TALL, DARK AND HANDSOME
Paul Jarrico - TOM, DICK AND HARRY
Writing: Screenplay
Sidney Buchman & Seton I. Miller - HERE COMES MR. JORDAN
Charles Brackett & Billy Wilder - HOLD BACK THE DAWN
Philip Dunne - HOW GREEN WAS MY VALLEY
Lillian Hellman - THE LITTLE FOXES
John Huston - THE MALTESE FALCON
Interior Decoration (Color)
Richard Day & Joseph C. Wright - Art Direction, Thomas Little - Interior Decoration BLOOD AND SAND
Cedric Gibbons & Urie McCleary - Art Direction, Edwin B. Willis - Interior Decoration BLOSSOMS IN THE DUST
Raoul Pene du Bois - Art Direction, Stephen A. Seymour - Interior Decoration LOUISIANA PURCHASE
Interior Decoration (Black and White)
Perry Ferguson & Van Nest Polglase - Art Direction, Al Fields & Darrell Silvera - Interior Decoration CITIZEN KANE
Martin Obzina & Jack Otterson - Art Direction, Russell A. Gausman - Interior Decoration THE FLAME OF NEW ORLEANS
Hans Dreier & Robert Usher - Art Direction, Sam Comer - Interior Decoration HOLD BACK THE DAWN
Richard Day & Nathan Juran - Art Direction, Thomas Little - Interior Decoration HOW GREEN WAS MY VALLEY
Lionel Banks - Art Direction, George Montgomery - Interior Decoration LADIES IN RETIREMENT
Stephen Goosson - Art Direction, Howard Bristol - Interior Decoration THE LITTLE FOXES
John Hughes - Art Direction, Fred MacLean - Interior Decoration SERGEANT YORK
John Victor Mackay - Art Direction SIS HOPKINS (The nomination was withdrawn by Republic Studios. It is thus not counted as an official Academy nomination and listed here for the purpose of information only.)
John DuCasse Schulze - Art Direction, Edward G. Boyle - Interior Decoration THE SON OF MONTE CRISTO
Alexander Golitzen - Art Direction, Richard Irvine - Interior Decoration SUNDOWN
Vincent Korda - Art Direction, Julia Heron - Interior Decoration THAT HAMILTON WOMAN
Cedric Gibbons & Randall Duell - Art Direction, Edwin B. Willis - Interior Decoration WHEN LADIES MEET
Cinematography (Color)
Wilfred M. Cline, Karl Struss & William Snyder - ALOMA OF THE SOUTH SEAS
William V. Skall & Leonard Smith - BILLY THE KID
Ernest G. Palmer & Ray Rennahan - BLOOD AND SAND
Karl Freund & W. Howard Greene - BLOSSOMS IN THE DUST
Bert Glennon & Winton C. Hoch - DIVE BOMBER
Harry Hallenberger & Ray Rennahan - LOUISIANA PURCHASE
Cinematography (Black and White)
Karl Freund - THE CHOCOLATE SOLDIER
Gregg Toland - CITIZEN KANE
Joseph Ruttenberg - DR. JEKYLL AND MR. HYDE
Joseph Walker - HERE COMES MR. JORDAN
Leo Tover - HOLD BACK THE DAWN
Arthur C. Miller - HOW GREEN WAS MY VALLEY
Sol Polito - SERGEANT YORK
Edward Cronjager - SUN VALLEY SERENADE
Charles B. Lang - SUNDOWN
Rudolph Maté - THAT HAMILTON WOMAN
Documentary
ADVENTURES IN THE BRONX - Film Associates
BOMBER - U.S. Office of Emergency Management Film Unit
CHRISTMAS UNDER FIRE - British Ministry of Information, Warner Bros.
CHURCHILL'S ISLAND - Canadian Film Board, UA
LETTER FROM HOME - British Ministry of Information
LIFE OF A THOROUGHBRED - 20th Century-Fox
NORWAY IN REVOLT - March of Time, RKO Radio
A PLACE TO LIVE - Philadelphia Housing Association
RUSSIAN SOIL - Amkino
SOLDIERS OF THE SKY - 20th Century-Fox
WAR CLOUDS IN THE PACIFIC - Canadian Film Board
Film Editing
Robert Wise - CITIZEN KANE
Harold F. Kress - DR. JEKYLL AND MR. HYDE
James B. Clark - HOW GREEN WAS MY VALLEY
Daniel Mandell - THE LITTLE FOXES
William Holmes - SERGEANT YORK
Music Scoring Awards (Scoring of a Dramatic Picture)
Bernard Herrmann - ALL THAT MONEY CAN BUY (The Devil and Daniel Webster)
Frank Skinner - BACK STREET
Alfred Newman - BALL OF FIRE
Edward Ward - CHEERS FOR MISS BISHOP
Bernard Herrmann - CITIZEN KANE
Franz Waxman - DR. JEKYLL AND MR. HYDE
Victor Young - HOLD BACK THE DAWN
Alfred Newman - HOW GREEN WAS MY VALLEY
Edward Kay - KING OF THE ZOMBIES
Morris Stoloff & Ernst Toch - LADIES IN RETIREMENT
Meredith Willson - THE LITTLE FOXES
Miklos Rozsa - LYDIA
Cy Feuer & Walter Scharf - MERCY ISLAND
Max Steiner - SERGEANT YORK
Louis Gruenberg - SO ENDS OUR NIGHT
Miklos Rozsa - SUNDOWN
Franz Waxman - SUSPICION
Werner Heymann - TANKS A MILLION
Werner Heymann - THAT UNCERTAIN FEELING
Richard Hageman - THIS WOMAN IS MINE
Music Scoring Awards (Scoring of a Musical Picture)
Edward Ward - ALL AMERICAN CO-ED
Robert Emmett Dolan - BIRTH OF THE BLUES
Charles Previn - BUCK PRIVATES
Herbert Stothart & Bronislaw Kaper - THE CHOCOLATE SOLDIER
Frank Churchill & Oliver Wallace - DUMBO
Cy Feuer - ICE CAPADES
Heinz Roemheld - THE STRAWBERRY BLONDE
Emil Newman - SUN VALLEY SERENADE
Anthony Collins - SUNNY
Morris Stoloff - YOU'LL NEVER GET RICH
Music Best Song
Frank Churchill - Music, Ned Washington - Lyrics DUMBO "Baby Mine"
Gene Autry & Fred Rose - Music & Lyrics RIDIN' ON A RAINBOW "Be Honest With Me"
Harold Arlen - Music, Johnny Mercer - Lyrics BLUES IN THE NIGHT "Blues in the Night"
Hugh Prince - Music, Don Raye - Lyrics BUCK PRIVATES "Boogie Woogie Bugle Boy of Company B"
Harry Warren - Music, Mack Gordon - Lyrics SUN VALLEY SERENADE "ChattanoogaChoo Choo"
Lou Alter - Music, Frank Loesser - Lyrics LAS VEGAS NIGHTS "Dolores"
Jerome Kern - Music, Oscar Hammerstein II - Lyrics LADY BE GOOD "The Last Time I Saw Paris"
Lloyd B. Norlind - Music & Lyrics ALL AMERICAN CO-ED "Out of the Silence"
Cole Porter - Music & Lyrics YOU'LL NEVER GET RICH "Since I Kissed My Baby Goodbye"
Short Subjects (Cartoons)
BOOGIE WOOGIE BUGLE BOY OF COMPANY B - Walter Lantz - Producer
HIAWATHA'S RABBIT HUNT - Leon Schlesinger - Producer
HOW WAR CAME - Raymond Gram Swing Series
LEND A PAW - Walt Disney - Producer
THE NIGHT BEFORE CHRISTMAS - M-G-M (Tom and Jerry Series)
RHAPSODY IN RIVETS - Leon Schlesinger - Producer
THE ROOKIE BEAR - M-G-M (Bear Series)
RHYTHM IN THE RANKS - Paramount (George Pal Puppetoon Series)
SUPERMAN NO. 1 - Paramount
TRUANT OFFICER DONALD - Walt Disney - Producer
Short Subjects (One-reel)
ARMY CHAMPIONS - Pete Smith - Producer
BEAUTY AND THE BEACH
DOWN ON THE FARM
FORTY BOYS AND A SONG
KINGS OF THE TURF
OF PUPS AND PUZZLES
SAGEBRUSH AND SILVER
Short Subjects (Two-reel)
ALIVE IN THE DEEP
FORBIDDEN PASSAGE
THE GAY PARISIAN
MAIN STREET ON THE MARCH
THE TANKS ARE COMING
Sound Recording
Bernard B. Brown - APPOINTMENT FOR LOVE
Thomas Moulton - BALL OF FIRE
Douglas Shearer - THE CHOCOLATE SOLDIER
John Aalberg - CITIZEN KANE
Charles Lootens - THE DEVIL PAYS OFF
E.H. Hansen - HOW GREEN WAS MY VALLEY
John Livadary - THE MEN IN HER LIFE
Nathan Levinson - SERGEANT YORK
Loren L. Ryder - SKYLARK
Jack Whitney - General Service THAT HAMILTON WOMAN
Elmer Raguse - TOPPER RETURNS
Special Effects
Farciot Edouart & Gordon Jennings (Photographic), Louis Mesenkop (Sound) ALOMA OF THE SOUTH SEAS
A. Arnold Gillespie (Photographic), Douglas Shearer (Sound) FLIGHT COMMAND
Farciot Edouart & Gordon Jennings (Photographic), Louis Mesenkop (Sound) I WANTED WINGS
John Fulton (Photographic), John Hall (Sound) THE INVISIBLE WOMAN
Byron Haskin (Photographic), Nathan Levinson (Sound) THE SEA WOLF
Lawrence Butler (Photographic), William H. Wilmarth (Sound) THAT HAMILTON WOMAN
Roy Seawright (Photographic), Elmer Raguse (Sound) TOPPER RETURNS
Fred Sersen (Photographic), E. H. Hansen (Sound) A YANK IN THE RAF
Scientific Or Technical
Class I (Statuette):
No award given for 1941.
Class II (Plaque):
Electrical Research Products Division of Western Electric Company Inc. - For the development of the precision integrating sphere densitometer.
RCA Manufacturing Company - For the design and development of the MI-3043 Uni-directional microphone.
Class III (Citation):
Ray Wilkinson (Paramount Studio Laboratory) For pioneering in the use of and for the first practical application to release printing of fine grain positive stock.
Charles Lootens (Republic Studio Sound Department) For pioneering the use of and for the first practical application to motion picture production of CLASS B push-pull variable area recording.
Wilbur Silvertooth (Paramount Studio Engineering Department) For the design and computation of a relay condenser system applicable to transparency process projection, delivering considerable more usable light.
Paramount Pictures Inc. & 20th Century-Fox Film Corporation - For the development and first practical application to motion picture production of an automatic scene slating device.
Douglas Shearer (MGM Studio Sound Department) & Loren L. Ryder (Paramount Studio Sound Department) For pioneering the development of fine grain emulsions for variable density original sound recording in studio production.
Special Awards
Rey Scott - For his extraordinary achievement in producing KUKAN, the film record of China's struggle, including its photography with a 16mm camera under the most difficult and dangerous conditions. Winner presented a Certificate.
British Ministry Of Information - For its vivid and dramatic presentation of the heroism of the RAF in the documentary film, TARGET FOR TONIGHT. Winner presented a Certificate.
Leopold Stokowski and his associates for their unique achievement in the creation of a new form of visualized music in Walt Disney's production FANTASIA, thereby widening the scope of the motion picture as entertainment and as an art form. Winner presented a Certificate.
Walt Disney, William Garity & John N. A. Hawkins (RCA Manufacturing Company) - For their outstanding contribution to the advancement of the use of sound in motion pictures through the production of FANTASIA. Winners presented Certificates.
Irving G. Thalberg Memorial Award
Walt Disney
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| FIRSTS
· At the ripe age of 25, Orson Welles was the first person to be simultaneously nominated for Best Picture, Best Actor, Best Director and Best Screenplay.
· Joan Fontaine and Olivia De Havilland became the only sisters to be simultaneously nominated for Best Actress.
· Fontaine was the first and only star of a Hitchcock film to win an Oscar®.
· How Green Was My Valley was Darryl F. Zanuck's first win for Best Picture after 7 nominations. He would go on to win 2 more, as well as 3 Thalberg Awards.
· Walt Disney's unparalleled success streak finally hit a bump with Fantasia, his first commercial flop.
RULE CHANGES
· Documentaries were added to the Oscar® race.
· For the Interior Decoration Awards, set decorators receive a "certificate of merit." Art directors still receive statuettes.
· Music Scoring Awards change category names.
ROLE REVERSALS
· Barbara Stanwyck picked up the starring role in Ball of Fire after Ginger Rogers dropped out.
· Humphrey Bogart rose to stardom because of roles that George Raft turned down in High Sierra and The Maltese Falcon.
SINS OF OMISSION
Picture: Meet John Doe, High Sierra, The Lady Eve
Actor: Humphrey Bogart - The Maltese Falcon
Supporting Actor: Peter Lorre - The Maltese Falcon
(Gene Autry's Pittsburgh fan club obtained 27,398 signatures from 30 states on its petition, "An Oscar for Autry," and requested the Academy nominate the top-ten cowboy star for one of his 1941 vehicles: Sunset in Wyoming, Back in the Saddle or Sierra Sue.)
ALWAYS A BRIDESMAID...
Despite her popularity with audiences and the Hollywood community, Barbara Stanwyck's four nominations never resulted in an Oscar®. She received an Honorary Award in 1982.
UNMENTIONABLES
· The Academy's grandiose plans for the banquet were cut short with the news that the Japanese had bombed Pearl Harbor. Recently elected Academy president Betty Davis proposed the ceremony take place in a theater and be open to the public with the $25 tickets going to the British War Relief. Former president Walter Wanger asked, "What have you got against the Academy, Bette?"
· The Academy's announcement that the Awards would be given in a different, yet to be announced, format was met with wide criticism in the trades and foreign press.
· Davis continued to press her idea of inviting the public and threatened to resign if the board didn't go along. Darryl F. Zanuck, the head of Fox, told the actress, who was under contract to Warners, "If you resign, you'll never work in this town again."
· Nevertheless, Davis stepped down, citing time constraints and health reasons. Her predecessor, Walter Wanger, filled in as acting Academy president.
· On January 30, the Academy announced that it was reinstating the banquet "to boost civil morale." The board had made some changes, though. The banquet was to be referred to as a "dinner," there would be music but no dancing, formal dress was eschewed, and women were not to wear orchids but donate the money they would have spent for them to the Red Cross. The board had considered serving food "similar to that served to soldiers and other servicemen," but that idea was voted down.
· Convinced that De Havilland or Fontaine would win, Barbara Stanwyck intended to stay home, but she changed her mind; she arrived late with new husband Robert Taylor just in time for the Best Actress presentation. The remaining Best Actress nominees were also absent: Greer Garson was in Canada participating in a victory drive, and Bette Davis was in Sugar Hill, NH.
· Wendell Wilkie and Chinese ambassador Dr. Hu Shih opened the ceremony with salutes to the film industry.
· Bob Hope presented a gag award to Jack Benny, who had appeared in drag throughout most of 1941's Charley's Aunt. He presented Benny with a bewigged Oscar in a skirt with a cigar in its mouth.
· Gregg Toland's celebrated deep-focus cinematography lost to How Green Was My Valley d.p. Arthur C. Miller. This was greeted with loud applause from Louella Parson's anti-Welles group.
· Their cheers soon turned to boos when Welles and Herman Mankiewicz won for the Citizen Kane screenplay. Neither were at the Awards. Their Oscars® were accepted by RKO president George Schaefer.
· Cecil B. DeMille stuck his foot in his mouth when he handed out the Best Picture Award to the absent John Ford. "Some of the people who spoke before me have stolen the thunder, like Mr. Wilkie and the Jap -- I mean Chinese -- ambassador," he said. On the way home, his wife turned to him and said, "Well, Cecil, at last you have done something that Hollywood will remember."
· Accepting his Thalberg, Walt Disney began weeping. "Thank you so much for this," he said. "Maybe I should have a medal for bravery. We all make mistakes. Fantasia was one but it was an honest one. I shall now rededicate myself to my old ideals."
· When Donald Crisp returned to his seat after accepting his Supporting Actor Award, Walter Brennan came by and kissed him on the top of his head.
· When she heard Ginger Rogers announce her name as Best Actress, Joan Fontaine froze for a moment, then heard her sister whisper, "Get up there." By the time Fontaine got to the dais, she was in tears. Ginger Rogers started crying, too, as she handed her the Oscar® Columnist Jimmy Starr wrote that after Fontaine finally finished her thank-yous, she "returned to the table where Olivia shook her hand. Olivia smiled faintly."
· Some of the losing songwriters complained that "The Last Time I Saw Paris" should not have been eligible for consideration since it wasn't written expressly for a movie; the song had been published in 1940. Even its composer, Jerome Kern, had questioned its qualifying for an Academy Award and said he had voted for "Blues in the Night."
· De Havilland told reporters that she was delighted with her sister's good fortune, but Life heard the loser whisper to her friends, "If Suspicion had been delayed just a little, it wouldn't have gotten under the wire for this year's Award and I might have won..."
· Orson Welles was quoted, when asked which directors he most admired, as saying, "I like the old masters, by which I mean John Ford, John Ford, and John Ford."
· Carole Lombard was killed in a plane crash less than a month before the Awards. Despite her mother's premonition of disaster, Lombard refused to take a train home to Los Angeles after a War Bond Rally tour. Reputedly, she was in a rush after getting wind of an alleged affair between her husband, Clark Gable, and Lana Turner.
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