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Welcome to theOscarSite's yearly Oscars® pages

This page covers the Awards for 1943. If you wish, read my disclaimer.

Click here for information on the Awards Ceremony for this year's nominees.

 Use this link to go to my listing of every film and every person ever nominated for an Award! 

 Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards! 

"Awards are meaningless for actors, unless they all play the same part."
-- Humphrey Bogart upon learning of his nomination for Casablanca

Outstanding Motion Picture Prior to the Awards for 1951, no producer(s) named with nominations
 CASABLANCA - Warner Bros. [Produced by Hal B. Wallis]
 FOR WHOM THE BELL TOLLS - Paramount. [Produced by Sam Wood]
 HEAVEN CAN WAIT - 20th Century-Fox. [Produced by Ernst Lubitsch]
 THE HUMAN COMEDY - MGM. [Produced by Clarence Brown]
 IN WHICH WE SERVE - Two Cities, UA (British). Produced by Noël Coward]
 MADAME CURIE - MGM. [Produced by Sidney Franklin]
 THE MORE THE MERRIER - Columbia. [Produced by George Stevens]
 THE OX-BOW INCIDENT - 20th Century-Fox. [Produced by Lamar Trotti]
 THE SONG OF BERNADETTE (Won 4 Awards) - [20th Century-Fox. Produced by William Perlberg]
 WATCH ON THE RHINE - Warner Bros. [Produced by Hal B. Wallis]

Actor
 Humphrey Bogart in CASABLANCA
 Gary Cooper in FOR WHOM THE BELL TOLLS
 Paul Lukas in WATCH ON THE RHINE
 Walter Pidgeon in MADAME CURIE
 Mickey Rooney in THE HUMAN COMEDY

Actress
 Jean Arthur in THE MORE THE MERRIER
 Ingrid Bergman in FOR WHOM THE BELL TOLLS
 Joan Fontaine in THE CONSTANT NYMPH
 Greer Garson in MADAME CURIE
 Jennifer Jones in THE SONG OF BERNADETTE

Supporting Actor
 Charles Bickford in THE SONG OF BERNADETTE
 Charles Coburn in THE MORE THE MERRIER
 J. Carrol Naish in SAHARA
 Claude Rains in CASABLANCA
 Akim Tamiroff in FOR WHOM THE BELL TOLLS

Supporting Actress
 Dame Gladys Cooper in THE SONG OF BERNADETTE
 Paulette Goddard in SO PROUDLY WE HAIL!
 Katina Paxinou in FOR WHOM THE BELL TOLLS
 Anne Revere in THE SONG OF BERNADETTE
 Lucile Watson in WATCH ON THE RHINE

Director
 Clarence Brown for THE HUMAN COMEDY
 Michael Curtiz for CASABLANCA
 Henry King for THE SONG OF BERNADETTE
 Ernst Lubitsch for HEAVEN CAN WAIT
 George Stevens for THE MORE THE MERRIER

Writing: Screenplay
 Julius J. Epstein, Philip G. Epstein & Howard Koch - CASABLANCA
 Nunnally Johnson - HOLY MATRIMONY
 Richard Flournoy, Lewis R. Foster, Frank Ross & Robert Russell - THE MORE THE MERRIER
 George Seaton - THE SONG OF BERNADETTE
 Dashiell Hammett - WATCH ON THE RHINE

Writing: Original Story
 Guy Gilpatric - ACTION IN THE NORTH ATLANTIC
 Steve Fisher - DESTINATION TOKYO
 William Saroyan - THE HUMAN COMEDY
 Frank Ross & Robert Russell - THE MORE THE MERRIER
 Gordon McDonell - SHADOW OF A DOUBT

Writing: Original Screenplay
 Dudley Nichols - AIR FORCE
 Lillian Hellman - THE NORTH STAR
 Norman Krasna - PRINCESS O'ROURKE
 Allan Scott - SO PROUDLY WE HAIL!
 Sir Noël Coward - IN WHICH WE SERVE

Interior Decoration (Color)
 Hans Dreier & Haldane Douglas - Art Direction, Bertram Granger - Interior Decoration FOR WHOM THE BELL TOLLS
 James Basevi & Joseph C. Wright - Art Direction, Thomas Little - Interior Decoration THE GANG'S ALL HERE
 Alexander Golitzen & John B. Goodman - Art Direction, Russell A. Gausman & Ira S. Webb - Interior Decoration PHANTOM OF THE OPERA
 John Hughes & Lieutenant John Koenig - Art Direction, George James Hopkins - Interior Decoration THIS IS THE ARMY
 Cedric Gibbons & Daniel B. Cathcart - Art Direction, Edwin B. Willis & Jacques Mersereau - Interior Decoration THOUSANDS CHEER

Interior Decoration (Black and White)
 Ernst Fegte - Art Direction, Bertram Granger - Interior Decoration FIVE GRAVES TO CAIRO
 Albert S. D'Agostino & Carroll Clark - Art Direction, Darrell Silvera & Harley Miller - Interior Decoration FLIGHT FOR FREEDOM
 Cedric Gibbons & Paul Groesse - Art Decoration, Edwin B. Willis & Hugh Hunt - Interior Decoration MADAME CURIE
 Carl Weyl - Art Direction, George James Hopkins - Interior Decoration MISSION TO MOSCOW
 Perry Ferguson - Art Direction, Howard Bristol - Interior Decoration THE NORTH STAR
 James Basevi & William Darling - Art Direction, Thomas Little - Interior Decoration THE SONG OF BERNADETTE

Cinematography (Color)
 Ray Rennahan - FOR WHOM THE BELL TOLLS
 Edward Cronjager - HEAVEN CAN WAIT
 Charles G. Clarke & Allen Davey - HELLO FRISCO, HELLO
 Leonard Smith - LASSIE COME HOME
 Hal Mohr & W. Howard Greene - PHANTOM OF THE OPERA
 George Folsey - THOUSANDS CHEER

Cinematography (Black and White)
 James Wong Howe, Elmer Dyer & Charles Marshall - AIR FORCE
 Arthur Edeson - CASABLANCA
 Tony Gaudio - CORVETTE K-225
 John F. Seitz - FIVE GRAVES TO CAIRO
 Harry Stradling - THE HUMAN COMEDY
 Joseph Ruttenberg - MADAME CURIE
 James Wong Howe - THE NORTH STAR
 Rudolph Maté - SAHARA
 Charles B. Lang - SO PROUDLY WE HAIL!
 Arthur C. Miller - THE SONG OF BERNADETTE

Documentary (Features)
 
BAPTISM OF FIRE
 BATTLE OF RUSSIA
 DESERT VICTORY
 REPORT FROM THE ALEUTIANS
 WAR DEPARTMENT REPORT

Documentary (Short Subjects)
 CHILDREN OF MARS
 DECEMBER 7TH
 PLAN FOR DESTRUCTION
 SWEDES IN AMERICA
 TO THE PEOPLE OF THE UNITED STATES
 TOMORROW WE FLY
 YOUTH IN CRISIS

Film Editing
 George Amy - AIR FORCE
 Owen Marks - CASABLANCA
 Doane Harrison - FIVE GRAVES TO CAIRO
 Sherman Todd & - John Link FOR WHOM THE BELL TOLLS
 Barbara McLean - THE SONG OF BERNADETTE

Music: Scoring of a Dramatic or Comedy Picture
 Hans J. Salter & Frank Skinner - THE AMAZING MRS. HOLLIDAY
 Max Steiner - CASABLANCA
 Louis Gruenberg & Morris Stoloff - THE COMMANDOS STRIKE AT DAWN
 C. Bakaleinikoff & Roy Webb - THE FALLEN SPARROW
 Victor Young - FOR WHOM THE BELL TOLLS
 Hanns Eisler - HANGMEN ALSO DIE
 Phil Boutelje - HI DIDDLE DIDDLE
 Walter Scharf - IN OLD OKLAHOMA (a.k.a. WAR OF THE WILDCATS)
 Leigh Harline - JOHNNY COME LATELY
 Gerard Carbonara - THE KANSAN
 Arthur Lange - LADY OF BURLESQUE
 Herbert Stothart - MADAME CURIE
 Dimitri Tiomkin - THE MOON AND SIXPENCE
 Aaron Copland - THE NORTH STAR
 Alfred Newman - THE SONG OF BERNADETTE
 Edward H. Plumb, Paul J. Smith & Oliver G. Wallace - VICTORY THROUGH AIR POWER

Music: Scoring of a Musical Picture
 Alfred Newman - CONEY ISLAND
 Walter Scharf - HIT PARADE OF 1943 (a.k.a. CHANGE OF HEART)
 Edward Ward - PHANTOM OF THE OPERA
 Edward H. Plumb, Paul J. Smith & Charles Wolcott - SALUDOS, AMIGOS
 Leigh Harline - THE SKY'S THE LIMIT
 Morris Stoloff - SOMETHING TO SHOUT ABOUT
 Frederic E. Rich - STAGE DOOR CANTEEN
 Robert Emmett Dolan - STAR SPANGLED RHYTHM
 Ray Heindorf - THIS IS THE ARMY
 Herbert Stothart - THOUSANDS CHEER

Music: Song
 Harold Arlen - Music, Johnny Mercer - Lyrics STAR SPANGLED RHYTHM "That Old Black Magic"
 Jule Style - Music, Harold Adamson - Lyrics HIT PARADE OF 1943 (a.k.a. CHANGE OF HEART) "Change of Heart"
 Harold Arlen - Music, E. Y. Harburg - Lyrics CABIN IN THE SKY "Happiness Is a Thing Called Joe"
 Harold Arlen - Music, Johnny Mercer - Lyrics THE SKY'S THE LIMIT "My Shining Hour"
 Charles Wolcott - Music, Ned Washington - Lyrics SALUDOS, AMIGOS "Saludos, Amigos"
 Jimmy McHugh - Music, Herb Magidson - Lyrics HERS TO HOLD "Say a Prayer for the Boys Over There"
 Arthur Schwartz - Music, Frank Loesser - Lyrics THANK YOUR LUCKY STARS "They're Either Too Young or Too Old"
 James Monaco - Music, Al Dubin - Lyrics STAGE DOOR CANTEEN "We Mustn't Say Good Bye"
 Cole Porter - Music & Lyrics SOMETHING TO SHOUT ABOUT "You'd Be So Nice to Come Home To"
 Harry Warren - Music, Mack Gordon - Lyrics HELLO FRISCO, HELLO "You'll Never Know"

Short Subjects (Cartoons)
 THE DIZZY ACROBAT: Walter Lantz - Producer
 THE FIVE HUNDRED HATS OF BARTHOLOMEW CUBBINS
 GREETINGS, BAIT: Leon Schlesinger - Producer
 IMAGINATION: Dave Fleischer - Producer
 REASON AND EMOTION: Walt Disney - Producer
 YANKEE DOODLE MOUSE: Frederick Quimby - Producer

Short Subjects (One-reel)
 AMPHIBIOUS FIGHTERS: Grantland Rice - Producer
 CAVALCADE OF THE DANCE WITH VELOZ AND YOLANDA: Gordon Hollingshead - Producer
 CHAMPIONS CARRY ON: Edmund Reek - Producer
 HOLLYWOOD IN UNIFORM: Ralph Staub - Producer
 SEEING HANDS

Short Subjects (Two-reel)
 HEAVENLY MUSIC: Jerry Bresler & Sam Coslow - Producers
 LETTER TO A HERO: Fred Ullman - Producer
 MARDI GRAS:Walter MacEwen - Producer
 WOMEN AT WAR: Gordon Hollingshead - Producer

Sound Recording
 Jack Whitney (Sound Services Inc.) HANGMEN ALSO DIE
 Daniel J. Bloomberg - IN OLD OKLAHOMA (a.k.a. WAR OF THE WILDCATS)
 Douglas Shearer - MADAME CURIE
 Thomas Moulton - THE NORTH STAR
 Bernard B. Brown - PHANTOM OF THE OPERA
 Loren L. Ryder - RIDING HIGH
 John Livadary - SAHARA
 C. O. Slyfield - SALUDOS, AMIGOS
 J. L. Fields (RCA) SO THIS IS WASHINGTON
 E. H. Hansen - THE SONG OF BERNADETTE
 Nathan Levinson - THIS IS THE ARMY
 Stephen Dunn - THIS LAND IS MINE

Special Effects
 Hans Koenekamp & Rex Wimpy (Photographic), Nathan Levinson (Sound) AIR FORCE
 Vernon L. Walker (Photographic), James G. Stewart & Roy Granville (Sound) BOMBARDIER
 Fred Sersen (Photographic), Roger Heman (Sound) CRASH DIVE
 Clarence Slifer & R. O. Binger (Photographic), Thomas T. Moulton (Sound) THE NORTH STAR
 Farciot Edouart & Gordon Jennings (Photographic), George Dutton (Sound) SO PROUDLY WE HAIL!
 A. Arnold Gillespie & Donald Jahraus (Photographic), Michael Steinore (Sound) STAND BY FOR ACTION

Scientific Or Technical
Class I (Statuette):
No award given for 1943.
Class II (Plaque):
 Farciot Edouart, Earle Morgan & Barton Thompson (Paramount Studio Engineering and Transparency Departments) - For the development and practical application to motion picture production of a method of duplicating and enlarging natural color photographs, transferring the image emulsions to glass plates and projecting these slides by especially designed stereopticon equipment.
 Photo Products Department of E.I. DuPont de Nemours and Company, Inc. - For the development of fine-grain motion picture films.
Class III (Citation):
 Daniel J. Bloomberg (Republic Studio Sound Department) - For the design and development of an inexpensive method of converting Moviolas to Class B push-pull reproduction.
 Charles Galloway Clarke (20th Century-Fox Studio Camera Department) - For the development and practical application of a device for composing artificial clouds into motion picture scenes during production photography.
 Farciot Edouart (Paramount Studio Transparency Department) - For an automatic electric transparency cueing timer.
 Willard H. Turner (RKO Radio Studio Sound Department) - For the design and construction of the phono-cue starter.

Special Award
 George Pal - For the development of the novel methods and techniques in the production of short subjects known as Puppetoons. Winner presented a Plaque.

Irving G. Thalberg Memorial Award
 Hal B. Wallis

FIRSTS
· The Awards ceremony moves from an intimate, insiders-only banquet at the Cocoanut Grove in the Ambassador Hotel to a massive public venue at Grauman's Chinese Theatre, with a seating capacity of 2,258 -- with no dinner -- just as Bette Davis had suggested 2 years earlier.
· Best supporting actors and actresses finally receive full-bodied Oscars® rather than the miniature Oscar-on-a-plaque.
· Composer Harold Arlen receives 3 nominations in a single category -- Best Song. None of his songs won.
· Warners leads all studios for the first time with 27 nominations.
· For the first time in six years running, Bette Davis fails to win a nomination.

ROLE REVERSALS
Instead of Bogie and Bergman, the leading roles in Casablanca were originally slated for -- are you ready? -- Ronald Reagan and Hedy Lamarr.

SINS OF OMISSION
Picture: Shadow of a Doubt, Cabin in the Sky, Five Graves to Cairo
Actress: Ida Lupino - The Hard Way, Ingrid Bergman - Casablanca
Song: "Cow Cow Boogie," "One for My Baby"

UNMENTIONALBES
· The Academy got a scare in mid-January when it got word that phony nominating ballots were circulating on college campuses in New York, Los Angeles, San Francisco and Pittsburgh. Price, Waterhouse threw out incorrectly labeled ballots, and the nominating proceeded without a hitch.
· The Ambassador Hotel had provided parking service in previous years. Not so with Grauman's Chinese. So arriving guests were forced to fend for themselves and a steady stream of people entered the theater during the first half of the ceremony.
· Ten tiers of seats rose up at the rear of the stage for the soldiers and sailors invited to attend the show. Their arrival got the most sustained applause of the night but they spent the rest of the evening watching participants' backs.
· The Song of Bernadette lost Best Screenplay to Casablanca, a film that was rewritten daily on the set during filming.
· Studio chief Jack Warner accepted the Best Picture Oscar®, not the film's producer, Hal Wallis. Insiders cited this as a major cause for Wallis's move to Paramount later in the year after two decades at Warners.
· Losers Jean Arthur and Joan Fontaine and their husbands immediately took off for a bar on Rodeo Drive.
· Loser Ingrid Bergman, who had a lock on Best Actress until The Song of Bernadette came along, ran backstage to congratulate friend Jennifer Jones, who was receiving felicitations not only for her Oscar® but for her 25th birthday. The winner told Bergman, "I apologize, Ingrid. You should have won." "No, Jennifer, your Bernadette was better than my Maria."
· A few days after the ceremony, the Screen Directors Guild announced that its members were seriously considering leaving the Academy because their Award was relegated to the first part of the program, before the radio broadcast began.
· Daily Variety pointed out that Bernadette's "prestige" campaign blew up in its face: at Oscar® time, Bernadette was still in limited release at advanced ticket prices, which meant that those with the bulk of the voting power -- the extras -- had not yet been able to afford to go to the movie. A poll of voting extras showed that only 25% had seen Bernadette, whereas nearly all of them had seen -- and voted for -- Casablanca.


And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!

Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.

This page is authored by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theOscarSite.com.