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Best Picture
THE CAINE MUTINY - Kramer, Columbia. Produced by Stanley Kramer
THE COUNTRY GIRL - Perlberg-Seaton, Paramount. Produced by William Perlberg
ON THE WATERFRONT (Won 8 Awards) - Horizon-American, Columbia. Produced by Sam Spiegel
SEVEN BRIDES FOR SEVEN BROTHERS - MGM. Produced by Jack Cummings
THREE COINS IN THE FOUNTAIN - 20th Century-Fox. Produced by Sol C. Siegel
Actor
Humphrey Bogart in THE CAINE MUTINY
Marlon Brando in ON THE WATERFRONT
Bing Crosby in THE COUNTRY GIRL
James Mason in A STAR IS BORN
Dan O'Herlihy in ADVENTURES OF ROBINSON CRUSOE
Actress
Dorothy Dandridge in CARMEN JONES
Judy Garland in A STAR IS BORN
Audrey Hepburn in SABRINA
Grace Kelly in THE COUNTRY GIRL
Jane Wyman in THE MAGNIFICENT OBSESSION
Supporting Actor
Lee J. Cobb in ON THE WATERFRONT
Karl Malden in ON THE WATERFRONT
Edmond O'Brien in THE BAREFOOT CONTESSA
Rod Steiger in ON THE WATERFRONT
Tom Tully in THE CAINE MUTINY
Supporting Actress
Nina Foch in EXECUTIVE SUITE
Katy Jurado in BROKEN LANCE
Eva Marie Saint in ON THE WATERFRONT
Jan Sterling in THE HIGH AND THE MIGHTY
Claire Trevor in THE HIGH AND THE MIGHTY
Director
Alfred Hitchcock for REAR WINDOW
Elia Kazan for ON THE WATERFRONT
George Seaton for THE COUNTRY GIRL
William A. Wellman for THE HIGH AND THE MIGHTY
Billy Wilder for SABRINA
Writing: Screenplay
Stanley Roberts - THE CAINE MUTINY
George Seaton - THE COUNTRY GIRL
John Michael Hayes - REAR WINDOW
Billy Wilder, Samuel Taylor & Ernest Lehman - SABRINA
Albert Hackett, Frances Goodrich & Dorothy Kingsley - SEVEN BRIDES FOR SEVEN BROTHERS
Writing: Motion Picture Story
Ettore Margadonna - BREAD, LOVE AND DREAMS
Philip Yordan - BROKEN LANCE
François Boyer - FORBIDDEN GAMES
Jed Harris & Tom Reed - NIGHT PEOPLE
Lamar Trotti - THERE'S NO BUSINESS LIKE SHOW BUSINESS
Writing: Story and Screenplay
Joseph L. Mankiewicz - THE BAREFOOT CONTESSA
William Rose - GENEVIEVE
Valentine Davies & Oscar Brodney - THE GLENN MILLER STORY
Norman Panama & Melvin Frank - KNOCK ON WOOD
Budd Schulberg - ON THE WATERFRONT
Art Direction/Set Decoration (Color)
Cedric Gibbons & Preston Ames - Art Direction, Edwin B. Willis & Keogh Gleason - Set Decoration BRIGADOON
Lyle Wheeler & Leland Fuller - Art Direction, Walter M. Scott & Paul S. Fox - Set Decoration DESIRÉE
Hal Pereira & Roland Anderson - Art Direction, Sam Comer & Ray Moyer - Set Decoration RED GARTERS
Malcolm Bert, Gene Allen & Irene Sharaff - Art Direction, George James Hopkins - Set Decoration A STAR IS BORN
John Meehan - Art Direction, Emile Kuri - Set Decoration 20,000 LEAGUES UNDER THE SEA
Art Direction/Set Decoration (Black and White)
Hal Pereira & Roland Anderson - Art Direction, Sam Comer & Grace Gregory - Set Decoration THE COUNTRY GIRL
Cedric Gibbons & Edward C. Carfagno - Art Direction, Edwin B. Willis & Emile Kuri - Set Decoration EXECUTIVE SUITE
Max Ophüls - Art Direction LE PLAISIR
Richard Day - Art Direction ON THE WATERFRONT
Hal Pereira & Walter Tyler - Art Direction, Sam Comer & Ray Moyer - Set Decoration SABRINA
Cinematography (Color)
Leon Shamroy - THE EGYPTIAN
Robert Burks - REAR WINDOW
George Folsey - SEVEN BRIDES FOR SEVEN BROTHERS
William V. Skall - THE SILVER CHALICE
Milton Krasner - THREE COINS IN THE FOUNTAIN
Cinematography (Black and White)
John F. Warren - THE COUNTRY GIRL
George Folsey - EXECUTIVE SUITE
Boris Kaufman - ON THE WATERFRONT
John F. Seitz - ROGUE COP
Charles B. Lang - SABRINA
Costume Design (Color)
Irene Sharaff - BRIGADOON
Charles LeMaire & Rene Hubert - DESIRÉE
Sanzo Wada - GATE OF HELL
Jean Louis, Mary Ann Nyberg & Irene Sharaff - A STAR IS BORN
Charles LeMaire, Travilla & Miles White - THERE'S NO BUSINESS LIKE SHOW BUSINESS
Costume Design (Black and White)
Georges Annenkov & Rosine Delamare - THE EARRINGS OF MADAME DE... (a.k.a. GOLDEN EARRINGS)
Helen Rose - EXECUTIVE SUITE
Christian Dior - INDISCRETION OF AN AMERICAN WIFE
Jean Louis - IT SHOULD HAPPEN TO YOU
Edith Head - SABRINA
Documentary (Features)
Guy Glover - Producer THE STRATFORD ADVENTURE
Walt Disney - Producer THE VANISHING PRAIRIE
Documentary (Short Subjects)
Otto Lang - Producer JET CARRIER
Morrie Roizman - Producer REMBRANDT: A SELF PORTRAIT
World Wide Pictures and Morse Films THURSDAY'S CHILDREN
Film Editing
William Lyon & Henry Batista - THE CAINE MUTINY
Ralph Dawson - THE HIGH AND THE MIGHTY
Gene Milford - ON THE WATERFRONT
Ralph E. Winters - SEVEN BRIDES FOR SEVEN BROTHERS
Elmo Williams - 20,000 LEAGUES UNDER THE SEA
Music: Scoring of a Dramatic or Comedy Picture
Max Steiner - THE CAINE MUTINY
Muir Mathieson - GENEVIEVE
Dimitri Tiomkin - THE HIGH AND THE MIGHTY
Leonard Bernstein - ON THE WATERFRONT
Franz Waxman - THE SILVER CHALICE
Music: Scoring of a Musical Picture
Herschel Burke Gilbert CARMEN JONES
Joseph Gershenson & Henry Mancini - THE GLENN MILLER STORY
Adolph Deutsch & Saul Chaplin - SEVEN BRIDES FOR SEVEN BROTHERS
Ray Heindorf - A STAR IS BORN
Alfred Newman & Lionel Newman - THERE'S NO BUSINESS LIKE SHOW BUSINESS
Music: Song
Irving Berlin - Music & Lyrics WHITE CHRISTMAS "Count Your Blessings Instead of Sheep"
Dimitri Tiomkin - Music, Ned Washington - Lyrics THE HIGH AND THE MIGHTY "The High and the Mighty"
Jack Lawrence & Richard Myers - Music & Lyrics SUSAN SLEPT HERE "Hold My Hand"
Harold Arlen - Music, Ira Gershwin - Lyrics A STAR IS BORN "The Man That Got Away"
Jule Styne - Music, Sammy Cahn - Lyrics THREE COINS IN THE FOUNTAIN "Three Coins in the Fountain"
Short Subjects (Cartoons)
Walter Lantz - Producer CRAZY MIXED UP PUP
Walt Disney - Producer PIGS IS PIGS
Edward Selzer - Producer SANDY CLAWS
Fred Quimby - Producer TOUCHÉ, PUSSY CAT
Stephen Bosustow - Producer WHEN MAGOO FLEW
Short Subjects (One-reel)
Otto Lang - Producer THE FIRST PIANO QUARTETTE
Johnny Green - Producer THE STRAUSS FANTASY
Robert Youngson - Producer THIS MECHANICAL AGE
Short Subjects (Two-reel)
Cedric Francis - Producer BEAUTY AND THE BULL
Otto Lang - Producer JET CARRIER
Walt Disney - Producer SIAM
Denis Sanders & Terry Sanders - Producers A TIME OUT OF WAR
Sound Recording
Wesley C. Miller - Sound Director BRIGADOON
John P. Livadary - Sound Director THE CAINE MUTINY
Leslie I. Carey - Sound Director THE GLENN MILLER STORY
Loren L. Ryder - Sound Director REAR WINDOW
John O. Aalberg - Sound Director SUSAN SLEPT HERE
Special Effects
No names listed. (Back to regular Award).
HELL AND HIGH WATER
THEM!
20,000 LEAGUES UNDER THE SEA [No nominees listed, but picture credits: (Special Effects) Robert A. Mattey, John Hench, Josh Meador (as "Meador Joshua")& Ralph Hammeras; and (Visual Effects) Ub Iwerks, Peter Ellenshaw, Albert J. Whitlock & Marcel Delgado]
Scientific Or Technical
Class I (Statuette):
Paramount Pictures Inc., Loren L. Ryder & John R. Bishop - For developing a method of producing and exhibiting motion pictures known as VistaVision. (Included among the winners are "all the members of the technical and engineering staff").
Class II (Plaque):
No award given for 1954.
Class III (Citation):
David S. Horsley (Universal-International Studio Special Photographic Department) - For a portable remote control device for process projectors.
Karl Freund & Frank Crandell (Photo Research Corporation) - For the design and development of a direct reading brightness meter.
Wesley C. Miller, J.W. Stafford & K.M. Frierson (MGM Studio Sound Department) - For an electronic sound printing comparison device.
John P. Livadary & Lloyd Russell (Columbia Studio Sound Department) - For an improved limiting amplifier as applied to sound level comparison devices.
Roland Miller & Max Goeppinger (Magnascope Corporation) - For the design and development of a cathode ray magnetic sound track viewer.
Carlos Rivas & G.M. Sprague (MGM Studio Sound Department) - For the design of a magnetic sound editing machine.
Fred Wilson (Samuel Goldwyn Studio Sound Department) - For the design of a variable multiple-band equalizer.
P.C. Young (MGM Studio Projection Department) - For the practical application of a variable focal length attachment to motion picture projector lenses.
Fred Knoth & Orien Ernest (U-I Studio Technical Department) - For the development of a hand portable, electric, dry oil-fog machine.
Honorary and Other Awards
Bausch & Lomb Optical Company - For their contributions to the advancement of the motion picture industry. Winner presented a Statuette.
Kemp R. Niver - For the development of the Renovare Process which has made possible the restoration of the Library of Congress Paper Film Collection. Winner presented a Statuette.
Greta Garbo - For her unforgettable screen performances. Winner presented a Statuette.
Danny Kaye - For his unique talents, his service to the Academy, the motion picture industry, and the American people. Winner presented a Statuette.
Jon Whiteley - For his outstanding juvenile performance in THE LITTLE KIDNAPPERS. Winner presented Miniature Statuette.
Vincent Winter - For his outstanding juvenile performance in THE LITTLE KIDNAPPERS. Winner presented Miniature Statuette.
JIGOKUMON (GATE OF HELL, Japan) Best Foreign Language Film first released in the United States during 1954. Winner presented a Statuette.
Irving G. Thalberg Memorial Award
No award given for 1954.
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FIRSTS
· For the first time, the Academy airs the announcment of the nominations on NBC, 12 February 1955. Jack Webb hosts the telecast.
· Dorothy Dandridge is the first black woman nominated for Best Actress.
· On the Waterfront is the first film to receive three acting nominations in a Supporting category.
· On the Waterfront ties Gone With the Wind and From Here to Eternity for most Academy Awards -- eight.
· Sam Spiegel sends free tickets to Academy members to attend screenings of the reissue of On the Waterfront.
RULE CHANGES
After being an "other" Award for 3 years, "Special Effects" becomes a regular category.
SINS OF OMISSION
Picture: A Star Is Born, Rear Window, Carmen Jones, Sabrina
Director: Stanley Donen - Seven Brides for Seven Brothers
Actor: James Stewart - Rear Window
Actress: Judy Holliday - It Should Happen to You
ROLE REVERSALS
Arthur Miller refused his old friend Elia Kazan's invitation to write the screenplay for On the Waterfront because of Kazan's testimony before the House Un-American Activities Committee.
UNMENTIONABLES
· None of the major studios would finance On the Waterfront, but indepedent producer Sam Spiegel raised the $820,000 necessary to bring Kazan's film to the screen.
· A Star Is Born was Judy Garland's first film since being fired from MGM in 1950 during the shooting of Annie Get Your Gun.
· With a 3-hour running time, exhibitors considered A Star Is Born too long. Jack Warner cut a half-hour out of the movie a week after its premiere.
· Despite the trimming, word of mouth was not what the studio had hoped for and A Star Is Born was considered a box-office disappointment. At Oscar® time, Warners didn't place a single ad for its biggest release of the year.
· Surprisingly, The Caine Mutiny became the second highest grossing picture of 1954, just behind White Christmas.
· Edmond O'Brien was upset when he discovered his name would not be over the title of The Barefoot Contessa because Humphrey Bogart's contract prevented it. "Bogie put his arm around me, bought me a drink and advised me to take below-the-line billing," O'Brien told interviewers. "After a few drinks, I agreed."
· Sam Spiegel listed Eva Marie Saint, his leading lady in On the Waterfront, in the Supporting category to get her away from competing with Grace Kelly and Judy Garland as Best Actress.
· Coral Records mailed records to all Academy members so that they could hear "Hold My Hand" from Susan Slept Here as often as they liked.
· Someone at Warners had removed Ned Washington's lyrics from The High and the Mighty after its first preview. Composer Dimitri Tiomkin was distressed because his popular theme song would not be eligible. He petitioned the studio to reinstate the lyrics in a single print that was shown in L.A., and suddenly the song was eligible.
· Judy Garland did not sing "The Man That Got Away" at the Awards show. Two days before the broadcast, she prematurely gave birth to her son Joey Luft.
· On the night of the Awards, Walter Brennan was caught by the "This Is Your Life" TV crew and led away from the forecourt of the Pantages to a TV studio.
· James Mason had agreed to present an Award, but he was a no-show on Awards night. He and his wife had gone to San Francisco for the weekend. Mason admitted, several years later, that he "had no intention" of attending because "the Oscar show is always a little better if things go wrong, so I had no need to feel guilty about letting them down."
· After he accepted his Best Actor Award in Hollywood, Marlon Brando went backstage, where he was stopped by Officer Ben Kowski of the Warner Bros. police force, who demanded to see his ID. An onlooker cleared up the problem and Kowski said, "Gee, I didn't know him from Adam."
· Accepting his Award for Dramatic Score, Dimitri Tiomkin inadvertently got the night's biggest laugh: "I would like to thank my colleagues," he began, "Brahms, Bach, Beethoven, Richard Strauss --" The audience erupted into laughter and applause. "Unfortunately, I didn't intend to be funny," Tiomkin later wrote in his autobiography, Please Don't Hate Me. "I was misunderstood. What I wanted to say was something entirely serious, even solemn... What I wanted to express was a musician's homage to the heroes of the musical past."
· William Holden, who had not been permitted to make an acceptance speech when he won Best Actor the previous year, began his presentation of the Best Actress Award with, "As I was going to say last year..." Just then Bob Hope ran up to Holden, whispered in his ear and pointed to his watch. The gag over, Holden revealed that Grace Kelly was the year's Oscar®-winner for The Country Girl.
· After the presentation of the Best Picture Award, Bob Hope said, "Get an Oldsmobile and drive to the movies. Goodnight from Oldsmobile." What he'd meant was that this was the end of the Oldsmobile-sponsored portion of the TV show, but there were still the Special Awards. Ninety percent of the NBC affiliates misinterpreted Hope's line and signed off. Confusion also reigned at the Pantages; few had paid attention to an earlier announcement about the final Awards and most of the audience began filing out of the theatre. Academy officials had to head people off at the doors and steer them back to their seats.
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