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Welcome to theOscarSite's yearly Oscars® pages

This page covers the Awards for 1961. If you wish, read my disclaimer.

Click here for information on the Awards Ceremony for this year's nominees.

 Use this link to go to my listing of every feature film and every person ever nominated for an Award! 

 Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards! 

"I am not a sexy pot." -- Sophia Loren

Best Picture
 FANNY - Mansfield, Warner Bros. Produced by Joshua Logan
 THE GUNS OF NAVARONE - Foreman, Columbia. Produced by Carl Foreman
 THE HUSTLER - Rossen, 20th Century-Fox. Produced by Robert Rossen
 JUDGMENT AT NUREMBERG - Kramer, UA. Produced by Stanley Kramer
 WEST SIDE STORY (Won 10 Awards + 1 Honorary Award; tied for most Awards) - Mirisch-B & P Enterprises, UA. Produced by Robert Wise

Actor
 Charles Boyer in FANNY
 Paul Newman in THE HUSTLER
 Maximilian Schell in JUDGMENT AT NUREMBERG
 Spencer Tracy in JUDGMENT AT NUREMBERG
 Stuart Whitman in THE MARK

Actress
 Audrey Hepburn in BREAKFAST AT TIFFANY'S
 Piper Laurie in THE HUSTLER
 Sophia Loren in LA CIOCIARA (TWO WOMEN)
 Geraldine Page in SUMMER AND SMOKE
 Natalie Wood in SPLENDOR IN THE GRASS

Supporting Actor
 George Chakiris in WEST SIDE STORY
 Montgomery Clift in JUDGMENT AT NUREMBERG
 Peter Falk in POCKETFUL OF MIRACLES
 Jackie Gleason in THE HUSTLER
 George C. Scott in THE HUSTLER

Supporting Actress
 Fay Bainter in THE CHILDREN'S HOUR
 Judy Garland in JUDGMENT AT NUREMBERG
 Lotte Lenya in THE ROMAN SPRING OF MRS. STONE
 Una Merkel in SUMMER AND SMOKE
 Rita Moreno in WEST SIDE STORY

Director
 Federico Fellini for LA DOLCE VITA
 Stanley Kramer for JUDGMENT AT NUREMBERG
 Robert Rossen for THE HUSTLER
 J. Lee Thompson - THE GUNS OF NAVARONE
 Robert Wise & Jerome Robbins for WEST SIDE STORY

Writing: Story and Screenplay - Written Directly for the Screen
 Valentin Yoshov & Grigori Chukhrai - BALLADA O SOLDATE (BALLAD OF A SOLDIER)
 Sergio Amidei, Diego Fabbri & Indro Montanelli - IL GENERALE DELLA ROVERE (GENERAL DELLA ROVERE)
 Federico Fellini, Tullio Pinelli, Ennio Flaiano & Brunello Rondi - LA DOLCE VITA
 Stanley Shapiro & Paul Henning - LOVER COME BACK
 William Inge - SPLENDOR IN THE GRASS

Writing: Screenplay - Based on Material from Another Medium)
 George Axelrod - BREAKFAST AT TIFFANY'S
 Carl Foreman - THE GUNS OF NAVARONE
 Sidney Carroll & Robert Rossen - THE HUSTLER
 Abby Mann - JUDGMENT AT NUREMBERG
 Ernest Lehman - WEST SIDE STORY

Foreign Language Film
 HARRY OG KAMMERTJENEREN (HARRY AND THE BUTLER, Denmark)
 EIEN NO HITO (IMMORTAL LOVE, Japan)
 ÁNIMAS TRUJANO: EL HOMBRE IMPORTANTE (THE IMPORTANT MAN, Mexico)
 PLÁCIDO (Spain)
 SÅSOM I EN SPEGEL (THROUGH A GLASS DARKLY, Sweden)

Art Direction/Set Decoration (Color)
 Hal Pereira & Roland Anderson - Art Direction, Sam Comer & Ray Moyer - Set Decoration BREAKFAST AT TIFFANY'S
 Veniero Colasanti - Art Direction, John Moore - Set Decoration EL CID
 Alexander Golitzen & Joseph C. Wright - Art Direction, Howard Bristol - Set Decoration FLOWER DRUM SONG
 Hal Pereira & Walter H. Tyler - Art Direction, Sam Comer & Arthur Krams - Set Decoration SUMMER AND SMOKE
 Boris Leven - Art Direction, Victor Gangelin - Set Decoration WEST SIDE STORY

Art Direction/Set Decoration (Black and White)
 Carroll Clark - Art Direction, Emile Kuri & Hal Gausman - Set Decoration THE ABSENT MINDED PROFESSOR
 Fernando Carrere - Art Direction, Edward G. Boyle - Set Decoration Edward G. Boyle- THE CHILDREN'S HOUR
 Harry Horner - Art Direction, Gene Callahan - Set Decoration THE HUSTLER
 Rudolph Sternad - Art Direction, George Milo - Set Decoration JUDGMENT AT NUREMBERG
 Piero Gherardi - Art Direction LA DOLCE VITA

Cinematography (Color)
 Jack Cardiff - FANNY
 Russell Metty - FLOWER DRUM SONG
 Harry Stradling - A MAJORITY OF ONE
 Charles B. Lang - ONE-EYED JACKS
 Daniel L. Fapp - WEST SIDE STORY

Cinematography (Black and White)
 Edward Colman - THE ABSENT MINDED PROFESSOR
 Franz Planer - THE CHILDREN'S HOUR
 Eugen Schüfftan - THE HUSTLER
 Ernest Laszlo - JUDGMENT AT NUREMBERG
 Daniel L. Fapp - ONE, TWO, THREE

Costume Design (Color)
 Bill Thomas - BABES IN TOYLAND
 Jean Louis - BACK STREET
 Irene Sharaff - FLOWER DRUM SONG
 Edith Head & Walter Plunkett - POCKETFUL OF MIRACLES
 Irene Sharaff - WEST SIDE STORY

Costume Design (Black and White)
 Piero Gherardi - LA DOLCE VITA
 Dorothy Jeakins - THE CHILDREN'S HOUR
 Howard Shoup - CLAUDELLE INGLISH
 Jean Louis - JUDGMENT AT NUREMBERG
 Yoshiro Muraki - YOJIMBO

Documentary (Features)
 LA GRANDE OLIMPIADE (OLYMPIC GAMES 1960)
 Arthur Cohn & Rene Lafuite - Producers LE CIEL ET LA BOUE (THE SKY ABOVE, THE MUD BELOW)

Documentary (Shorts)
 U.S. Air Force - Producer BREAKING THE LANGUAGE BARRIER
 Jim O'Connor & Tom Hayes - Producers CRADLE OF GENIUS
 KAHL
 Benedetto Benedetti - Producer THE MAN IN GRAY
 Frank P. Bibas - Producer PROJECT HOPE

Film Editing
 William H. Reynolds - FANNY
 Alan Osbiston - THE GUNS OF NAVARONE
 Frederic Knudtson - JUDGMENT AT NUREMBERG
 Philip W. Anderson - THE PARENT TRAP
 Thomas Stanford - WEST SIDE STORY

Music: Scoring of a Dramatic or Comedy Picture
 Henry Mancini - BREAKFAST AT TIFFANY'S
 Miklos Rozsa - EL CID
 Morris Stoloff & Harry Sukman - FANNY
 Dimitri Tiomkin - THE GUNS OF NAVARONE
 Elmer Bernstein - SUMMER AND SMOKE

Music: Scoring of a Musical Picture
 George Bruns - BABES IN TOYLAND
 Alfred Newman & Ken Darby - FLOWER DRUM SONG
 Dmitri Shostakovich - KHOVANSHCHINA
 Duke Ellington - PARIS BLUES
 Saul Chaplin, Johnny Green, Sid Ramin & Irwin Kostal - WEST SIDE STORY

Music: Song
 Henry Mancini - Music, Mack David - Lyrics BACHELOR IN PARADISE "Bachelor in Paradise"
 Miklos Rozsa - Music, Paul Francis Webster - Lyrics EL CID "Love Theme from El Cid (The Falcon and the Dove)"
 Henry Mancini - Music, Johnny Mercer - Lyrics BREAKFAST AT TIFFANY'S "Moon River"
 Jimmy Van Heusen - Music, Sammy Cahn - Lyrics POCKETFUL OF MIRACLES "Pocketful of Miracles"
 Dimitri Tiomkin - Music, Ned Washington - Lyrics TOWN WITHOUT PITY "Town Without Pity"

Short Subjects (Cartoons)
 Walt Disney - Producer AQUAMANIA
 Chuck Jones - Producer BEEP PREPARED
 Zagreb Film - ERSATZ
 Chuck Jones - Producer NELLY'S FOLLY
 Friz Freleng - Producer PIED PIPER OF GUADALUPE

Short Subjects (Live Action Subjects)
 Cine Documents - BALLON VOLÉ (PLAY BALL!)
 Dr. John D. Jennings - Producer THE FACE OF JESUS
 Robert McCarty - Producer/Director ROOFTOPS OF NEW YORK (McCarty-Rush-Gaffney)
 Templar/Schoenfeld - SEAWARDS THE GREAT SHIPS
 Colin Low and Tom Daly - Producers (unnamed with nomination) VERY NICE, VERY NICE (NFB Canada)

Sound
 Gordon E. Sawyer (Samuel Goldwyn Studio Sound Department) THE CHILDREN'S HOUR
 Waldon O. Watson (Revue Studio Sound Department) FLOWER DRUM SONG
 John Cox (Shepperton Studio Sound Department) THE GUNS OF NAVARONE
 Robert O. Cook (Walt Disney Studio Sound Department) THE PARENT TRAP
 Fred Hynes (Todd-AO Sound Department) & Gordon E. Sawyer (Samuel Goldwyn Studio Sound Department) WEST SIDE STORY

Special Effects
 Robert A. Mattey & Eustace Lycett - Special Effects (Visual) THE ABSENT MINDED PROFESSOR
 Bill Warrington - Special Effects (Visual), Vivian C. Greenham - Special Effects (Audible) THE GUNS OF NAVARONE

Scientific Or Technical
Class I (Statuette):
No award given for 1961.
Class II (Plaque):
 Sylvania Electric Products Inc. - For the development of a hand held high-power photographic lighting unit known as the Sun Gun Professional.
 James Dale, S. Wilson, H. E. Rice, John Rude, Laurie Atkin, Wadsworth E. Pohl & H. Peasgood (Technicolor Corporation) - For a process of automatic selective printing.
 20th Century-Fox Research Department, Earl I. Sponable, Herbert E. Bragg (Deluxe Laboratories Inc.), F. D. Leslie, R. D. Whitmore, A. A. Alden, Endel Pool & James B. Gordon - For a system of decompressing and recomposing CinemaScope pictures for conventional aspect ratios.
Class III (Citation):
 Hurletron Inc.-Electrical Eye Equipment Division - For an automatic light changing system for motion picture printers.
 Wadsworth E. Pohl (Technicolor Corporation) - For an integrated sound and picture transfer process.

Honorary and Other Awards
 William L. Hendricks - For his outstanding patriotic service in the conception, writing and production of the Marine Corps films, A FORCE IN READINESS, which has brought honor to the Academy and the motion picture industry. Winner presented a Statuette.
 Fred L. Metzler - For his dedication and outstanding service to the Academy of Motion Picture Arts and Sciences. Winner presented a Statuette.
 Jerome Robbins - For his brilliant achievements in the art of choreography on film. Winner presented a Statuette.

Irving G. Thalberg Memorial Award
 Stanley Kramer

Jean Hersholt Humanitarian Award
 George Seaton

FIRSTS
· Two co-directors win Best Director Award.
· Sophia Loren is the first actor to win an Award for a performance in a foreign language.
· Rita Moreno is listed in The Guinness Book of World Records for being the first performer to win an Oscar®, a Tony®, an Emmy®, and a Grammy®.

SINS OF OMISSION
Picture: Breakfast at Tiffany's, The Misfits, La Dolce vita
Actor: Marcello Mastroianni - La Dolce vita, Burt Lancaster - Judgment at Nuremberg
Supporting Actor: Warren Beatty - Splendor in the Grass
Supporting Actress: Marlene Dietrich - Judgment at Nuremberg
Song: "Can't Help Falling in Love," "Let's Twist Again"
Foreign Film: Last Year at Marienbad (France), La Notte (Italy)

ROLE REVERSALS
The Mirisch Brothers, exec producers of West Side Story, toyed with the idea of casting Elvis Presley as the leader of the Jets, with his followers played by Fabian, Frankie Avalon and Paul Anka. Jerome Robbins convinced them otherwise.

UNMENTIONABLES
· Warren Beatty notified the Academy that he did not wish to be nominated for Best Supporting Actor (preferring Best Actor instead), but the Academy said it was too late. Fortunately, he was not nominated.
· Beatty and co-star Natalie Wood were regulars in the gossip columns after the release of Splendor in the Grass.
· Most of the singing voices in West Side Story were dubbed.
· Co-director Robert Wise thought Jerome Robbins spent too much time on the choreography and told Robbins to jeté off the set after 2-½ months of filming. Robbins's assistants helped Wise wrap up the film.
· George C. Scott asked the Academy to remove his name for nominee as Best Supporting Actor for The Hustler, saying, "[It's] like a weird beauty or personality contest. I take the position that actors shouldn't be forced to out-advertise and out-stab each other." The Academy responded by saying it was Scott's performance that was being nominated, not Scott himself.
· Before her nomination, Rita Moreno had been known in the press as "The Cheetah," "The Chile Pepper" and "The Puerto Rico Pepper Pot." She immediately got to work on her public image.
· Luella Parson thought it ridiculous that stars like Judy Garland and Montgomery Clift were nominated for Supporting roles and likened the situation to "a bank president reducing himself to title of bookkeeper in order to get a coffee break." Sheila Graham thought a new category should be instituted for "Best Star Cameo."
· Word was getting back to Hollywood from the set of Cleopatra that Elizabeth Taylor and Richard Burton were making like Ingrid Bergman and Roberto Rossellini a dozen years earlier. The Academy promptly asked Liz to present the Best Actor Award, but she declined.
· On the eve of the ceremonies, the Los Angeles Herald- Examiner ran a cartoon of the Oscar statuette stamped with the labels, "Emphasis on Sex and Adult Themes," "Rising Overseas Production" and "Liz's Romantic Antics." The caption read, "Somewhat Tarnished."
· On Awards night, nominee Audrey Hepburn, who had flown in from Switzerland to be at the ceremonies, was sick in bed with a sore throat at the Beverly Hills Hotel. "It was a long way to come to watch a television show," she moaned. "And I brought a pretty dress."
· Down the hall was Supporting Actress nominee Judy Garland. She said her son, Joey Luft, whose entrance into the world had precluded his mother's attendance at the 1954 Awards, was down with an earache and she thought she should be with him.
· For the first time, pickets used the media spotlight of the Awards to trumpet their causes. A group calling itself the Hollywood Race Relations Bureau marched outside the Auditorium with placards reading "Film Equality for Negroes" and "All Negroes Want a Break." Twelve protestors were taken into custody for disturbing the peace.
· After the presentation of the B&W Cinematography Award, a man suddenly appeared at the podium. "Ladies and gentlemen, I'm the world's greatest gatecrasher and I just came here to present Bob Hope with his 1938 trophy," he announced, identifying himself as "Stan Berman." Berman gave presenters Vince Edwards and Shelley Winters a little trophy and said, "This is for Bob." Winters laughed through his whole spiel and assured him, "We'll give it to him." When Hope returned after the Color Award was given, he quipped, "Who needs Price, Waterhouse? All we need is a doorman."
· As co-directors Robert Wise and Jerome Robbins accepted their Best Director Awards, neither man mentioned or thanked the other.
· As Burt Lancaster read the names of the Best Actress nominees, he forgot to mention Sophia Loren and the audience cried out when he went for the envelope. "I was saving it," Lancaster apologized. "And Sophia Loren for Two Women. And the winner is... Sophia Loren for Two Women."
· Loren was at home in Rome. She'd gone to bed at around 6 a.m.; Cary Grant called her 45 minutes later with the news that she'd won.


And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!

Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.

This page is authored by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theOscarSite.com.