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Welcome to theOscarSite's yearly Oscars® pages

This page covers the Awards for 1967. If you wish, read my disclaimer.

Click here for information on the Awards Ceremony for this year's nominees.

 Use this link to go to my listing of every film and every person ever nominated for an Award! 

 Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards! 

"They'll miss me like an old monument -- like the Flatiron Building."
-- Katharine Hepburn

Best Picture
 BONNIE AND CLYDE - Tatira-Hiller, Warner Bros.-Seven Arts. Produced by Warren Beatty
 DOCTOR DOLITTLE - Apjac, 20th Century-Fox. Produced by Arthur P. Jacobs
 THE GRADUATE - Nichols-Turman, Embassy. Produced by Lawrence Turman
 GUESS WHO'S COMING TO DINNER - Kramer, Columbia. Produced by Stanley Kramer
 IN THE HEAT OF THE NIGHT (Won 5 Awards) - Mirisch, UA. Produced by Walter Mirisch

Actor
 Warren Beatty in BONNIE AND CLYDE
 Dustin Hoffman in THE GRADUATE
 Paul Newman in COOL HAND LUKE
 Rod Steiger in IN THE HEAT OF THE NIGHT
 Spencer Tracy in GUESS WHO'S COMING TO DINNER

Actress
 Anne Bancroft in THE GRADUATE
 Faye Dunaway in BONNIE AND CLYDE
 Dame Edith Evans in THE WHISPERERS
 Audrey Hepburn in WAIT UNTIL DARK
 Katharine Hepburn in GUESS WHO'S COMING TO DINNER

Supporting Actor
 John Cassavetes in THE DIRTY DOZEN
 Gene Hackman in BONNIE AND CLYDE
 Cecil Kellaway in GUESS WHO'S COMING TO DINNER
 George Kennedy in COOL HAND LUKE
 Michael J. Pollard in BONNIE AND CLYDE

Supporting Actress
 Carol Channing in THOROUGHLY MODERN MILLIE
 Mildred Natwick in BAREFOOT IN THE PARK
 Estelle Parsons in BONNIE AND CLYDE
 Beah Richards in GUESS WHO'S COMING TO DINNER
 Katharine Ross in THE GRADUATE

Director
 Richard Brooks for IN COLD BLOOD
 Norman Jewison for IN THE HEAT OF THE NIGHT
 Stanley Kramer for GUESS WHO'S COMING TO DINNER
 Mike Nichols for THE GRADUATE
 Arthur Penn for BONNIE AND CLYDE

Writing: Story and Screenplay - Written Directly for the Screen
 David Newman & Robert Benton - BONNIE AND CLYDE
 Robert Kaufman & Norman Lear - DIVORCE AMERICAN STYLE
 William Rose - GUESS WHO'S COMING TO DINNER
 Jorge Semprun - LA GUERRE EST FINIE (THE WAR IS OVER)
 Frederic Raphael - TWO FOR THE ROAD

Writing: Screenplay - Based on Material from Another Medium
 Donn Pearce & Frank R. Pierson - COOL HAND LUKE
 Calder Willingham & Buck Henry - THE GRADUATE
 Richard Brooks - IN COLD BLOOD
 Stirling Silliphant - IN THE HEAT OF THE NIGHT
 Joseph Strick & Fred Haines - ULYSSES

Foreign Language Film
 OSTRE SLEDOVANÉ VLAKY (CLOSELY WATCHED TRAINS, Czechslovakia) - Zdenek Oves, producer
 EL AMOR BRUJO (A LOVE BEWITCHED, Spain)
 SKUPLJACI PERJA (I EVEN MET HAPPY GYPSIES, Yugoslavia)
 VIVRE POUR VIVRE (LIVE FOR LIFE, France)
 CHIEKO-SHO (PORTRAIT OF CHIEKO, Japan)

Art Direction/Set Decoration
Rules changed this year to one Award for Art Direction/Set Decoration instead of separate awards for black-and-white and color.
 John Truscott & Edward Carrere- Art Direction, John W. Brown - Set Decoration CAMELOT
 Mario Chiari, Jack Martin Smith & Ed Graves - Art Direction, Walter M. Scott & Stuart A. Reiss - Set Decoration DOCTOR DOLITTLE
 Robert Clatworthy - Art Direction, Frank Tuttle - Set Decoration GUESS WHO'S COMING TO DINNER
 Renzo Mongiardino, John De Cuir, Elven Webb & Giuseppe Mariani - Art Direction, Dario Simoni & Luigi Gervasi - Set Decoration THE TAMING OF THE SHREW
 Alexander Golitzen & George C. Webb - Art Direction, Howard Bristol - Set Decoration THOROUGHLY MODERN MILLIE

Cinematography
Rules changed this year to one Award for Cinematography instead of separate awards for black-and-white and color.
 Burnett Guffey - BONNIE AND CLYDE
 Richard H. Kline - CAMELOT
 Robert L. Surtees - DOCTOR DOLITTLE
 Robert L. Surtees - THE GRADUATE
 Conrad L. Hall - IN COLD BLOOD

Costume Design
Rules changed this year to one Award for Costume Design instead of separate awards for black-and-white and color.
 Theodora Van Runkle - BONNIE AND CLYDE
 John Truscott - CAMELOT
 Bill Thomas - THE HAPPIEST MILLIONAIRE
 Irene Sharaff & Danilo Donati - THE TAMING OF THE SHREW
 Jean Louis - THOROUGHLY MODERN MILLIE

Documentary (Features)
 Pierre Schoendoerffer - Producer THE ANDERSON PLATOON
 Murray Lerner - Producer FESTIVAL
 Carroll Ballard - Producer HARVEST
 Jack Le Vien - Producer A KING'S STORY
 William C. Jersey - Producer A TIME FOR BURNING

Documentary (Short Subjects)
 Charles E. Guggenheim - Producer MONUMENT TO THE DREAM
 Christopher Chapman - Producer A PLACE TO STAND
 Mark Harris & Trevor Greenwood - Producers THE REDWOODS
 Robert Fitchett - Producer SEE YOU AT THE PILLAR
 Carl V. Ragsdale - Producer WHILE I RUN THIS RACE

Film Editing
 Frank P. Keller - BEACH RED
 Michael Luciano - THE DIRTY DOZEN
 Samuel E. Beetley & Marjorie Fowler - DOCTOR DOLITTLE
 Robert C. Jones - GUESS WHO'S COMING TO DINNER
 Hal Ashby - IN THE HEAT OF THE NIGHT

Music: Original Music Score
 Lalo Schifrin - COOL HAND LUKE
 Leslie Bricusse - DOCTOR DOLITTLE
 Richard Rodney Bennett - FAR FROM THE MADDING CROWD
 Quincy Jones - IN COLD BLOOD
 Elmer Bernstein - THOROUGHLY MODERN MILLIE

Music: Scoring of Music - Adaptation or Treatment
 Alfred Newman & Ken Darby - CAMELOT
 Lionel Newman & Alexander Courage - DOCTOR DOLITTLE
 Frank De Vol - GUESS WHO'S COMING TO DINNER
 Andre Previn & Joseph Gershenson - THOROUGHLY MODERN MILLIE
 John Williams - VALLEY OF THE DOLLS

Music: Song
 Terry Gilkyson - Music & Lyric THE JUNGLE BOOK "The Bare Necessities"
 Quincy Jones - Music, Bob Russell - Lyric BANNING "The Eyes of Love"
 Burt Bacharach - Music, Hal David - Lyric CASINO ROYALE "The Look of Love"
 Leslie Bricusse - Music & Lyric DOCTOR DOLITTLE "Talk to the Animals"
 Jimmy Van Heusen - Music, Sammy Cahn - Lyric THOROUGHLY MODERN MILLIE "Thoroughly Modern Millie"

Short Subjects (Cartoons)
 Fred Wolf - Producer THE BOX
 Jean-Charles Meunier - Producer HYPOTHESE BETA
 Robert Verrall & Wolf Koenig - Producers WHAT ON EARTH!

Short Subjects (Live Action Subjects)
 Julian Biggs - Producer PADDLE TO THE SEA
 Christopher Chapman - Producer A PLACE TO STAND
 John Ferno - Producer SKY OVER HOLLAND
 Len Janson & Chuck Menville - Producers STOP, LOOK AND LISTEN

Sound
 (Seven Arts Studio Sound Department) CAMELOT
 (MGM Studio Sound Department) THE DIRTY DOZEN
 (20th Century-Fox Studio Sound Department) DOCTOR DOLITTLE
 (Samuel Goldwyn Studio Sound Department) IN THE HEAT OF THE NIGHT
 (Universal City Studio Sound Department) THOROUGHLY MODERN MILLIE

Sound Effects
 John Poyner - THE DIRTY DOZEN
 James A. Richard - IN THE HEAT OF THE NIGHT

Special Visual Effects
 L.B. Abbott - DOCTOR DOLITTLE
 Howard A. Anderson, Jr. & Albert Whitlock - TOBRUK

Scientific Or Technical (Class I
Class I (Statuette):
 No award given for 1967.
Class II (Plaque):
 No award given for 1967.
Class III (Citation):
 Electro-Optical Division Of (Kollmorgen Corporation) - For the design and development of a series of Motion Picture Projection Lenses.
 (Panavision Incorporated) - For a Variable Speed Motor for Motion Picture Cameras.
 Fred R. Wilson (Samuel Goldwyn Studio Sound Department) - For an Audio Level Clamper.
 Waldon O. Watson (Universal City Studio Sound Department) - For new concepts in the design of a Music Scoring Stage.

Honorary and Other Awards
 Arthur Freed - For distinguished service to the Academy and the production of six top-rated Awards telecasts. Winner presented a Statuette.

Irving G. Thalberg Memorial Award
 Alfred Hitchcock

Jean Hersholt Humanitarian Award
 Gregory Peck

FIRSTS
· In the Heat of the Night is the first detective mystery to win Best Picture.
· For the first time since the creation of the Costume Design Award (1948), Edith Head is not nominated.
· Dustin Hoffman and Faye Dunaway are nominated during their first year in the movies.
· Spencer Tracy's nomination for Best Actor is posthumous. He died 10 days after filming Guess Who's Coming to Dinner, his 9th pairing with Katharine Hepburn.

RULE CHANGES
All divisions between Color and Black & White films are eliminated.

ALWAYS A BRIDESMAID...
Alfred Hitchcock's Thalberg Memorial Award is the only Award he will receive from the Academy.

ROLE REVERSALS
· Doris Day as Dustin Hoffman's seductress, Mrs. Robinson? Not after she read the script and found it morally reprehensible. Next up was Jeanne Moreau who, luckily for Anne Bancroft, also passed.
· Vanessa Redgrave got the screen role that Julie Andrews played on Broadway in Camelot.
· With Vanessa Redgrave in Camelot and Barbra Streisand filming Hello, Dolly!, Julie Andrews and Carol Channing were teamed in Universal's highly successful Thoroughly Modern Milly, a '20s musical spoof concocted by producer Ross Hunter when he couldn't secure the movie rights to The Boy Friend.

SINS OF OMISSION
Picture: In Cold Blood, Two for the Road
Actor: Sidney Poitier - In the Heat of the Night OR To Sir, with Love, Albert Finney - Two for the Road, Robert Blake - In Cold Blood
Song: "To Sir, with Love," "Mrs. Robinson," "The Happening," "This Is My Song"

UNMENTIONABLES
· The Dirty Dozen was the film that made the most money in 1967.
· Bonnie and Clyde made household names out of its cast of lesser knowns: Faye Dunaway, Gene Hackman, Estelle Parsons and Michael J. Pollard.
· Dunaway returned $25,000 of the $60,000 she was paid for Bonnie Parker to secure above-the-title billing.
· Sidney Poitier starred in three 1967 hits: To Sir, with Love, In the Heat of the Night and Guess Who's Coming to Dinner.
· Guess Who's Coming to Dinner became the 2nd-highest-grossing film in 1968, just behind Mike Nichols's The Graduate, another Christmas 1967 release.
· Taking a cue from A Hard Day's Night and Help!, Nichols wrought a pop-score sound track for The Graduate performed by Simon and Garfunkel; the soundtrack album quickly became #1 on the charts.
· Warners' ads for Cool Hand Luke capitalized on the comment Strother Martin's warden uttered every time Paul Newman misbehaved -- "What we have here is a failure to communicate" -- and the line became a rallying cry for both sides of the generation gap.
· George Kennedy's trade ads to Academy members depicted him carrying a wounded Newman and were headlined "George Kennedy -- Supporting."
· By eliminating half of the nominations for Cinematography, Art Direction, and Costume Design, the Academy made competition in these categories much tougher. Gone were the days when a designer could receive nominations for 2 or 3 films.
· Four days before the ceremony, Dr. Martin Luther King was murdered in Memphis. His funeral service was planned for April 9, and 5 people scheduled to appear on the Awards show April 8 -- Louis Armstrong, Diahann Carroll, Sidney Poitier, Sammy Davis Jr. and Rod Steiger -- indicated they would not participate in the show if it was held on the 8th. New Academy President Gregory Peck called a hasty meeting of the Board of Governors, and they decided to postpone the show until April 10, the day after King's funeral.
· Bob Hope happily went along with the changes, and noted that he had once flown on the same plane with the late Dr. King, who had complimented him. "You know, Bob, you're so wonderful on the Academy Awards show," the civil rights leader had said. "We enjoy watching it every year."
· Thanks largely to the efforts of President Peck, 18 of the 20 Acting nominees were at the ceremony.
· Katharine Hepburn was in France filming The Lion in Winter, but she agreed to film a segment for the Awards show.
· According to Rex Reed, when Barbra Streisand announced the Best Song winner was "Talk to the Animals," "you could hear the 'Oh, nos' loudly in the theater."
· Alfred Hitchcock's acceptance speech for the only Academy Award he'd ever get: "Thank you... very much." After the speech, Bob Hope quipped, "He ad-libs a lot, doesn't he?"


And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!

Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.

This page is compiled by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theOscarSite.com.