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Welcome to theoscarsite's yearly Oscars® pages

This page covers the Awards for 1980. If you wish, read my disclaimer.

Click here for information on the Awards Ceremony for this year's nominees.

 Use this link to go to my listing of every film and every person ever nominated for an Award! 

 Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards! 

"Being sober for so many years is getting interesting." -- Peter O'Toole

Best Picture
 COAL MINER'S DAUGHTER - Schwartz, Universal. Produced by Bernard Schwartz
 THE ELEPHANT MAN - Brooksfilms, Paramount. Produced by Jonathan Sanger
 ORDINARY PEOPLE (Won 4 Awards) - Wildwood, Paramount. Produced by Ronald L. Schwary
 RAGING BULL - Chartoff-Winkler, UA. Produced by Irwin Winkler and Robert Chartoff
 TESS - Renn-Burrill Société Française de Production (S.F.P.), Columbia. Produced by Claude Berri; Timothy Burrill, co-producer

Actor
 Robert De Niro in RAGING BULL
 Robert Duvall in THE GREAT SANTINI
 John Hurt in THE ELEPHANT MAN
 Jack Lemmon in TRIBUTE
 Peter O'Toole in THE STUNT MAN

Actress
 Ellen Burstyn in RESURRECTION
 Goldie Hawn in PRIVATE BENJAMIN
 Mary Tyler Moore in ORDINARY PEOPLE
 Gena Rowlands in GLORIA
 Sissy Spacek in COAL MINER'S DAUGHTER

Supporting Actor
 Judd Hirsch in ORDINARY PEOPLE
 Timothy Hutton in ORDINARY PEOPLE
 Michael O'Keefe in THE GREAT SANTINI
 Joe Pesci in RAGING BULL
 Jason Robards in MELVIN AND HOWARD

Supporting Actress
 Eileen Brennan in PRIVATE BENJAMIN
 Eva LeGallienne in RESURRECTION
 Cathy Moriarty in RAGING BULL
 Diana Scarwid in INSIDE MOVES
 Mary Steenburgen in MELVIN AND HOWARD

Director
 David Lynch for THE ELEPHANT MAN
 Robert Redford for ORDINARY PEOPLE
 Martin Scorsese for RAGING BULL
 Richard Rush for THE STUNT MAN
 Roman Polanski for TESS

Writing: Screenplay Written Directly for the Screen
 W. D. Richter & Arthur Ross - BRUBAKER
 Christopher Gore - FAME
 Bo Goldman - MELVIN AND HOWARD
 Jean Gruault - MON ONCLE D'AMERIQUE
 Nancy Meyers, Charles Shyer & Harvey Miller - PRIVATE BENJAMIN

Writing: Screenplay Based on Material from Another Medium
 Jonathan Hardy, David Stevens & Bruce Beresford - BREAKER MORANT
 Tom Rickman - COAL MINER'S DAUGHTER
 Christopher DeVore, Eric Bergren & David Lynch - THE ELEPHANT MAN
 Alvin Sargent - ORDINARY PEOPLE
 Lawrence B. Marcus & Richard Rush - THE STUNT MAN

Foreign Language Film
 BIZALOM (CONFIDENCE, Hungary)
 KAGEMUSHA (THE SHADOW WARRIOR) (Japan)
 LE DERNIER MÉTRO (THE LAST METRO, France)
 MOSKVA SLEZAM NE VERIT (MOSCOW DOES NOT BELIEVE IN TEARS, U.S.S.R.)
 EL NIDO (THE NEST, Spain)

Art Direction/Set Decoration
 John W. Corso - Art Direction, John M. Dwyer - Set Decoration: COAL MINER'S DAUGHTER
 Stuart Craig & Robert Cartwright - Art Direction, Hugh Scaife - Set Decoration: THE ELEPHANT MAN
 Norman Reynolds, Leslie Dilley, Harry Lange & Alan Tomkins - Art Direction, Michael Ford - Set Decoration: THE EMPIRE STRIKES BACK
 Yoshiro Muraki - Art Direction: KAGEMUSHA (THE SHADOW WARRIOR)
 Pierre Guffroy & Jack Stephens - Art Direction: TESS

Cinematography
 Nestor Almendros - THE BLUE LAGOON
 Ralf D. Bode - COAL MINER'S DAUGHTER
 James Crabe - THE FORMULA
 Michael Chapman - RAGING BULL
 Geoffrey Unsworth & Ghislain Cloquet - TESS

Costume Design
 Patricia Norris - THE ELEPHANT MAN
 Anna Senior - MY BRILLIANT CAREER
 Jean-Pierre Dorleac - SOMEWHERE IN TIME
 Anthony Powell - TESS
 Paul Zastupnevich - WHEN TIME RAN OUT...

Documentary (Features)
 Ross Spears - Producer: AGEE
 Jon Else - Producer: THE DAY AFTER TRINITY
 Murray Lerner - Producer: FROM MAO TO MOZART: ISAAC STERN IN CHINA
 David Bradbury - Producer: FRONT LINE
 Bengt Von Zur Muehlen & Arthur Cohn - Producers: THE YELLOW STAR - THE PERSECUTION OF THE JEWS IN EUROPE 1933-45

Documentary (Short Subjects)
 John Watson & Pen Densham - Producers: DON'T MESS WITH BILL
 George V. Casey - Producer: THE ERUPTION OF MOUNT ST. HELENS
 Dick Young - Producer: IT'S THE SAME WORLD
 Roland Halle & Peter W. Ladue - Producers: KARL HESS: TOWARD LIBERTY
 Richard Hawkins & Jorge Preloran - Producers: LUTHER METKE AT 94

Film Editing
 Arthur Schmidt - COAL MINER'S DAUGHTER
 David Blewitt - THE COMPETITION
 Anne V. Coates - THE ELEPHANT MAN
 Gerry Hambling - FAME
 Thelma Schoonmaker - RAGING BULL

Music: Original Score
 John Corigliano - ALTERED STATES
 John Morris - THE ELEPHANT MAN
 John Williams - THE EMPIRE STRIKES BACK
 Michael Gore - FAME
 Phillipe Sarde - TESS

Music: Original Song
 Michael Gore - Music, Dean Pitchford - Lyric FAME "Fame"
 Dolly Parton - Music & Lyric 9 TO 5 "Nine to Five"
 Willie Nelson - Music & Lyric HONEYSUCKLE ROSE "On the Road Again"
 Michael Gore - Music, Lesley Gore - Lyric FAME "Out Here on My Own"
 Lalo Schifrin - Music, Wilbur Jennings - Lyric THE COMPETITION "People Alone"

Short Films (Animated)
 Frédéric Back - Producer: ALL NOTHING
 Ferenc Rofusz - Producer: THE FLY
 Michael Mills - Producer: HISTORY OF THE WORLD IN THREE MINUTES FLAT

Short Films (Live Action)
 Lloyd Phillips - Producer THE DOLLAR BOTTOM
 Bob Carmichael & Greg Lowe - Producers: FALL LINE
 Sally Heckel - Producer: A JURY OF HER PEERS

Sound
 Arthur Piantadosi, Les Fresholtz, Michael Minkler & Willie D. Burton - ALTERED STATES
 Richard Portman, Roger Heman & Jim Alexander - COAL MINER'S DAUGHTER
 Bill Varney, Steve Maslow, Gregg Landaker & Peter Sutton - THE EMPIRE STRIKES BACK
 Michael J. Kohut, Aaron Rochin, Jay M. Harding & Chris Newman - FAME
 Donald O. Mitchell, Bill Nicholson, David J. Kimball & Les Lazarowitz - RAGING BULL

Special Achievement Award
 For Visual Effects: Brian Johnson, Richard Edlund, Dennis Muren & Bruce Nicholson - THE EMPIRE STRIKES BACK

Scientific or Technical Awards
Academy Award of Merit (Statuette):
 Linwood G. Dunn & Cecil D. Love (Acme Tool and ManufacturingCompany) - For the concept, engineering and development of the Acme-Dunn Optical Printer for motion picture special effects.

Scientific and Engineering Award (Plaque):
 Jean-Marie Lavalou, Alain Masseron & David W. Samuelson (Samuelson Alga Cinema SA/Samuelson Film Service Ltd.) - For the engineering and development of the Louma Camera Crane and remote control system for motion picture production.
 Edward B. Krause (Filmline Corporation) - For the engineering and manufacture of the micro-demand drive for continuous motion picture film processors.
 Ross Taylor - For the concept and development of a system of airguns for propelling objects used in special effects motion picture production.
 Dr. Bernhard Kuhl & Dr. Werner Block (Osram GmbH) - For the progressive engineering and manufacture of the OSRAM HMI light source for motion picture color photography.
 David A. Grafton - For the optical design and engineering of a telecentric anamorphic lens for motion picture optical effects printers.

Technical Achievement Award (Citation):
 Carter Equipment Company - For the development of a continuous contact, total immersion, additive-color motion picture printer.
 Hollywood Film Company - For the development of a continuous contact, total immersion, additive-color motion picture printer.
 Andre DeBrie SA - For the development of a continuous contact, total immersion, additive-color motion picture printer.
 Charles Vaughn & Eugene Nottingham (Cinetron Computer Systems Incorporated) - For the development of a versatile general purpose computer system for animation and optical effects motion picture photography.
 John W. Lang, Walter Hrastnik & Charles J. Watson (Bell and HowellCompany) - For the development and manufacture of a modular continuous contact motion picture film printer.
 Worth Baird (LaVezzi Machine Works Incorporated) - For the advance ddesign and manufacture of a film sprocket for motion picture projectors.
 Peter A. Regla & Dan Slater (Elicon) - For the development of a follow focus system for motion picture optical effects printers and animation stands.

Honorary and Other Awards
 Henry Fonda - The consummate actor, in recognition of his brilliant accomplishments and enduring contribution to the art of motion pictures. Winner presented a Statuette.
 Fred Hynes - Presented in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences. Winner presented a Medal of Commendation.

Irving G. Thalberg Memorial Award
 No Award given for 1980.

Jean Hersholt Humanitarian Award
 No Award given for 1980.

FIRSTS
· In his film debut, Timothy Hutton (20) becomes the youngest actor to win the Supporting Actor Award.
· Robert Redford wins for directing debut; Michael O'Keefe, Cathy Moriarty and Diana Scarwid nominated for film debuts.
· Supporting Actress nominee Eva Le Gallienne, 82, oldest performer nominated for an Oscar®.

RULE CHANGES
· Visual Effects again considered a Special Achievement Award.
· "Original Song Score and Its Adaptation or Adaptation Score" category dropped.

ROLE REVERSALS
Lee Remick was considered for the role of the mother in Ordinary People, but Redford "became interested in the dark side of Mary Tyler Moore."

LIFE IMITATES ART
·  Both Robert De Niro and Sissy Spacek won Oscars® for playing real life characters, and when they won both Jake LaMotta and Loretta Lynn were in the audience.

SINS OF OMISSION
Picture: Melvin and Howard, Stardust Memories
Actor: Donald Sutherland - Ordinary People

UNMENTIONABLES
· Loretta Lynn looked through a pile of head shots and stopped when she got to one of red-haired Sissy Spacek. "That's her," the singer said, "there's the coal miner's daughter."
· Orion released The Great Santini in North and South Carolina in November, 1979, but it flopped. They changed the title to The Ace; Son of Heroes; and Reaching Out, but the film still didn't catch on. The studio sold the film to cable TV and to the airlines as an in-flight movie, but refused to sponsor it in NYC. Finally, producer Charles Pratt got the funds together to open the movie in one Manhattan theater, and the critics raved about Robert Duvall and Michael O'Keefe's performances. However, the film never made a cent in any other city.
· Despite Ellen Burstyn's belief in Resurrection, audiences just weren't interested in seeing a film about modern faith healing. A Universal exec said, "We've tried everything, but let's face it -- God isn't commercial."
· Universal also had problems with Melvin and Howard and left it on the shelf for 17 months. With nothing to lose, the studio allowed the film to play the New York Film Festival as the opening night attraction. Critics praised Mary Steenburgen, but outside of NYC nobody cared about the folk tale. Universal's Ned Tanen said, "We couldn't drag 'em in if we gave dishes away."
· Mary Tyler Moore told the press that she drew from her experiences raising her own son for Ordinary People. "I was kind of a perfectionist mother and I demanded a lot of him." A month after the film was released, her son committed suicide at age 23.
· Mel Brooks' The Elephant Man was not a film of the Broadway play of the same name. Since John Merrick's story was in the public domain, Brooks was free to make his own version. However, he made an out-of-court settlement with the play's producers who claimed that his film ruined the film sale of their play.
· Richard Rush tried to make The Stunt Man for nine years, but he couldn't raise any studio support. Independently financed, the film sat for two years while he looked for a studio to distribute it. Finally, Rush arranged for a theater in Seattle to show the movie. When it became the highest-grossing film in Seattle, Fox took another look and decided to release The Stunt Man.
· Filming of Raging Bull was halted for 4 months as Robert De Niro gained 56 pounds for the later scenes. One of those waiting for him to reach obesity was a 37-year-old manager of an Italian restaurant named Joe Pesci, who had given up acting 8 years before. De Niro had seen him in his only movie, The Death Collector, and wanted him to play Joey La Motta.
· Shortly before her murder, wife Sharon Tate gave Roman Polanski a copy of Thomas Hardy's 1891 novel Tess of the d'Urbervilles, and he planned to film it with her. Polanski had fled Los Angeles for France on the day before he was scheduled to be sentenced for having sex with a 13-year- old girl. When he finally made the movie Tess in 1979, he dedicated it to Tate. Columbia exhibited Tess for only one week in LA and NYC in December, 1980.
· John Hinckley Jr. shot President Reagan on March 30, 1981, the day of the Awards show. That afternoon, the Academy rescheduled the show to the night of March 31.
· One fan who was waiting in the bleachers when the show was rescheduled was puzzled: "The thing I don't understand is how can they have all those stars' telephone numbers to call them up and tell them to come back later."


And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!

Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.

This page is compiled by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theoscarsite.com.