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Welcome to theoscarsite's yearly Oscars® pages

This page covers the Awards for 1993. If you wish, read my disclaimer.

Click here for information on the Awards Ceremony for this year's nominees.

 Use this link to go to my listing of every film and every person ever nominated for an Award! 

 Use this link to see every film nominated for an Award this year and how it ranks in nominations and Awards! 

"I would like to believe in God in order to thank Him. But I only believe in Billy Wilder." -- Fernando Trueba

Best Picture of the Year
 THE FUGITIVE - Warner Bros. Produced by Arnold Kopelson
 IN THE NAME OF THE FATHER - Gabriel Byrne/Hell's Kitchen, Universal. Produced by Jim Sheridan
 THE PIANO - CiBy2000. Produced by Jan Chapman
 THE REMAINS OF THE DAY - Merchant-Ivory, Columbia. Produced by John Calley, Mike Nichols & Ismail Merchant
 SCHINDLER'S LIST (Won 7 Awards) - Amblin, Universal. Produced by Branko Lustig, Jerry Molen & Steven Spielberg

Performance by an Actor in a Leading Role
 Daniel Day-Lewis in IN THE NAME OF THE FATHER
 Laurence Fishburne in WHAT'S LOVE GOT TO DO WITH IT
 Tom Hanks in PHILADELPHIA
 Anthony Hopkins in THE REMAINS OF THE DAY
 Liam Neeson in SCHINDLER'S LIST

Performance by an Actress in a Leading Role
 Angela Bassett in WHAT'S LOVE GOT TO DO WITH IT
 Stockard Channing in SIX DEGREES OF SEPARATION
 Holly Hunter in THE PIANO
 Emma Thompson in THE REMAINS OF THE DAY
 Debra Winger in SHADOWLANDS

Performance by an Actor in a Supporting Role
 Leonardo DiCaprio in WHAT'S EATING GILBERT GRAPE
 Ralph Fiennes in SCHINDLER'S LIST
 Tommy Lee Jones in THE FUGITIVE
 John Malkovich in IN THE LINE OF FIRE
 Pete Postlethwaite in IN THE NAME OF THE FATHER

Performance by an Actress in a Supporting Role
 Holly Hunter in THE FIRM
 Anna Paquin in THE PIANO
 Rosie Perez in FEARLESS
 Winona Ryder in THE AGE OF INNOCENCE
 Emma Thompson in IN THE NAME OF THE FATHER

Achievement in Direction
 Robert Altman for SHORT CUTS
 Jane Campion for THE PIANO
 James Ivory for THE REMAINS OF THE DAY
 Jim Sheridan for IN THE NAME OF THE FATHER
 Steven Spielberg for SCHINDLER'S LIST

Achievement in Writing: Screenplay Written Directly for the Screen 
 Gary Ross - DAVE
 Jeff Maguire - IN THE LINE OF FIRE
 Ron Nyswaner - PHILADELPHIA
 Jane Campion - THE PIANO
 Nora Ephron, David S. Ward & Jeffrey Arch - SLEEPLESS IN SEATTLE

Achievement in Writing: Screenplay Based on Material Previously Produced or Published
 Jay Cocks & Martin Scorsese - THE AGE OF INNOCENCE
 Terry George & Jim Sheridan - IN THE NAME OF THE FATHER
 Ruth Prawer Jhabvala - THE REMAINS OF THE DAY
 Steven Zaillian - SCHINDLER'S LIST
 William Nicholson - SHADOWLANDS

Best Foreign Language Film of the Year 
 BELLE EPOQUE (Spain - Produced and directed by Fernando Trueba)
 BA WANG BEI JI (FAREWELL, MY CONCUBINE, Hong Kong - Feng Hsu, producer)
 HEDD WYN [United Kingdom (Wales) - Shan Davies, producer]
 MÚI DU DU XHAN (THE SCENT OF GREEN PAPAYA, Vietnam - Christophe Rossignon, producer)
 HSI YEN (THE WEDDING BANQUET, Taiwan - Ted Hope, Ang Lee & James Schamus, producers)

Achievement in Art Direction
 Ken Adam - Art Direction, Marvin March -Set Decoration ADDAMS FAMILY VALUES
 Dante Ferretti - Art Direction, Robert J. Franco - Set Decoration THE AGE OF INNOCENCE
 Ben Van Os - Art Direction, Jan Roelfs - Set Decoration - ORLANDO
 Luciana Arrighi - Art Direction, Ian Whittaker - Set Decoration THE REMAINS OF THE DAY
 Allan Starski - Art Direction, Ewa Braun - Set Decoration SCHINDLER'S LIST

Achievement in Cinematography
 Gu Changwei - FAREWELL, MY CONCUBINE
 Michael Chapman - THE FUGITIVE
 Stuart Dryburgh - THE PIANO
 Janusz Kaminski - SCHINDLER'S LIST
 Conrad L. Hall - SEARCHING FOR BOBBY FISCHER

Achievement in Costume Design
 Gabriella Pescucci - THE AGE OF INNOCENCE
 Sandy Powell - ORLANDO
 Janet Patterson - THE PIANO
 Jenny Beavan & John Bright - THE REMAINS OF THE DAY
 Anna Biedrzycka-Sheppard - SCHINDLER'S LIST

Achievement in Documentary Features
 David Paperny & Arthur Ginsberg - Producers THE BROADCAST TAPES OF DR. PETER
 Adam Friedson & Andrew Young - Producers CHILDREN OF FATE: LIFE AND DEATH IN A SICILIAN FAMILY
 David Collier & Betsy Thompson - Producers FOR BETTER OR FOR WORSE
 Susan Raymond & Alan Raymond - Producers I AM A PROMISE: THE CHILDREN OF STANTON ELEMENTARY SCHOOL
 D. A. Pennebaker & Chris Hegedus - Producers THE WAR ROOM

Achievement in Documentary Short Subjects
 Steven Cantor & Peter Spirer - Producers BLOOD TIES: THE LIFE AND WORK OF SALLY MANN
 Elaine Holliman & Jason Schneider - Producers CHICKS IN WHITE SATIN
 Margaret Lazarus & Renner Wunderlich - Producers DEFENDING OUR LIVES

Achievement in Film Editing
 Dennis Virkler, David Finfer, Dean Goodhill, Don Brochu, Richard Nord & Dov Hoenig - THE FUGITIVE
 Anne V. Coates - IN THE LINE OF FIRE
 Gerry Hambling - IN THE NAME OF THE FATHER
 Veronika Jenet - THE PIANO
 Michael Kahn - SCHINDLER'S LIST

Achievement in Makeup
 Greg Cannom, Ve Neill & Yolanda Toussieng - MRS. DOUBTFIRE
 Carl Fullerton & Alan D'Angerio - PHILADELPHIA
 Christina Smith, Matthew W. Mungle & Judith Alexander Cory - SCHINDLER'S LIST

Achievement in Music: Original Score
 Elmer Bernstein - THE AGE OF INNOCENCE
 Dave Grusin - THE FIRM
 James Newton Howard - THE FUGITIVE
 Richard Robbins - THE REMAINS OF THE DAY
 John Williams - SCHINDLER'S LIST

Achievement in Music: Original Song
 Janet Jackson, James Harris, III & Terry Lewis - Music & Lyric POETIC JUSTICE "Again"
 Carole Bayer Sager, James Ingram & Cliff Magness - Music & Lyric BEETHOVEN'S 2ND "The Day I Fall In Love"
 Neil Young - Music & Lyric PHILADELPHIA "Philadelphia"
 Bruce Springsteen - Music & Lyric PHILADELPHIA "Streets of Philadelphia"
 Marc Shaiman - Music & Lyric SLEEPLESS IN SEATTLE "A Wink and a Smile"

Achievement in Live Action Short Films
 Pepe Danquart - Producer BLACK RIDER
 Stacy Title & Jonathan Penner - Producers DOWN ON THE WATERFRONT
 Susan Seidelman & Jonathan Brett - Producers THE DUTCH MASTER
 Peter Weller & Jana Sue Memel - PARTNERS
 Didier Flamand - Producer THE SCREW

Achievement in Animated Short Films
 Stephen Palmer - Producer BLINDSCAPE
 Frédéric Back & Hubert Tison - Producers THE MIGHTY RIVER
 Bob Godfrey & Kevin Baldwin - Producers SMALL TALK
 Mark Baker - Producer THE VILLAGE
 Nick Park - Producer THE WRONG TROUSERS

Achievement in Sound
 Michael Minkler, Bob Beemer & Tim Cooney - CLIFFHANGER
 Donald O. Mitchell, Michael Herbick, Frank A. Montano & Scott D. Smith - THE FUGITIVE
 Chris Carpenter, D. M. Hemphill, Bill W. Benton & Lee Orloff - GERONIMO: AN AMERICAN LEGEND
 Gary Summers, Gary Rydstrom, Shawn Murphy & Ron Judkins - JURASSIC PARK
 Andy Nelson, Steve Pederson, Scott Millan & Ron Judkins - SCHINDLER'S LIST

Achievement in Sound Effects Editing
 Wylie Stateman & Gregg Baxter - CLIFFHANGER
 John Leveque & Bruce Stambler - THE FUGITIVE
 Gary Rydstrom & Richard Hymns - JURASSIC PARK

Achievement in Visual Effects
 Neil Krepela, John Richardson, John Bruno & Pamela Easley - CLIFFHANGER
 Dennis Muren, Stan Winston, Phil Tippett & Michael Lantieri - JURASSIC PARK
 Pete Kozachik, Eric Leighton, Ariel Velasco Shaw & Gordon Baker - TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS

Scientific and Technical Awards
Academy Award of Merit (Statuette)
 Manfred G. Michelson (Technical Film Systems Inc) - For the design and development of the first sprocket-driven film transport system for color print film processors, which originally received a Scientific and Engineering Award in 1990.
 Panavision, Inc. - For the Auto Panatar anamorphic photographic lens, which originally received a Scientific and Engineering Award in 1958.

Scientific and Engineering Award (Plaque)
 Fritz Gabriel Bauer - For the design, development and manufacture of the Moviecam Compact Modular 35mm motion picture camera system.
 Mark Leather, Les Dittert, Douglas Smythe & George Joblove - For the concept and development of the Digital Motion Picture Retouching System for removing visible rigging and dirt/damage artifacts from original motion picture imagery.

Technical Achievement Award (Certificate)
 David J. Degenkolb - For the development of a Silver Recovery Ion Exchange System.
 Michael Dorrough - For the design and development of the compound meter known as the Dorrough Audio Level Meter.
 Harry J. Baker -For the design and development of the Ronford-Baker Metal Tripods for motion picture photography.
 Gary Nuzzi, David Johnsrud & William Blethen - For the design and development of the Unilux H3000 Strobe Lighting System.
 Wally Mills - concept, Gary Stadler - design & Gustave Parada - design - For the concept and design of the Cinemills Lamp Protection System.

Honorary and Other Awards
 Deborah Kerr - For career achievement. Winner presented a Statuette.

Irving G. Thalberg Memorial Award
 No Award given for 1993.

Jean Hersholt Humanitarian Award
 Paul Newman - For his humanitarian efforts.

Gordon E. Sawyer Award
 Petro Vlahos - For technical contributions that have brought credit to the motion picture industry.

FIRSTS
· Anna Paquin nominated and wins for film debut.
· Holly Hunter and Emma Thompson are first two people to compete against each other in both the lead and supporting categories in the same year.
· Three films from Asia are nominated for Foreign Language Film.

RULE CHANGES
Hair stylists are now considered part of the the team eligible for the Makeup Award.

ROLE REVERSALS
· When Mike Nichols was developing The Remains of the Day, with himself as director, he envisioned Jeremy Irons as the butler and either Meryl Streep, Glenn Close or Anjelica Huston as the housekeeper.
· Tim Robbins, Bill Murray and Robin Williams were among the names bandied about for the ambulance chaser who represents Tom Hanks in Philadelphia, but it was Denzel Washington who got the role.

SINS OF OMISSION
Picture: Short Cuts
Director: Andrew Davis - The Fugitive
Actor: Denzel Washington - Philadelphia, Harvey Keitel - The Piano
Supporting Actor: Ben Kingsley - Schindler's List
Song: "All for One"
Foreign Film: Blue (Poland), Madadayo (Japan)

UNMENTIONABLES
· Spielberg's Jurassic Park was not applauded by critics, but audiences ate it up. It became the 2nd-highest domestic grossing film ever, behind only E.T.; worldwide it overtook the earlier Spielberg movie.
· Critics were more pleased with two other summer action thrillers, each of which featured an especially memorable antagonist. Wolfgang Petersen's In the Line of Fire starred Clint Eastwood as an aging Secret Service agent tormented by a chameleon-like John Malkovich. And, in Andrew Davis' The Fugitive, based on the 1960s TV series, Harrison Ford's Dr. Richard Kimble is relentlessly pursued by federal marshall Tommy Lee Jones.
· When critics heard of Martin Scorsese's taking on Edith Wharton's The Age of Innocence, they could hardly contain themselves. Scorsese admitted, "Literally, anyone who asks me about the film says, 'I can't believe you are doing this kind of thing.'" But Scorsese and his team immersed themselves in the task of making Wharton's tragedy of manners and late 19th-century mores relevant to modern audiences. When the critics saw the results, they were almost unanimous in their praise.
· In spite of the $12 million that they were given to make Remains (the largest budget they'd ever had to work with), Merchant & Ivory still held on to their mania for economy. On the way to his trailer for an interview, Anthony Hopkins had splattered mud and grime on his costume. "I thought maybe a dresser would come and help me clean up," the actor said. "But Ismail sent me down a wire brush."
· Jane Campion had premiered The Piano at Cannes -- where audiences had soundly booed Sweetie in 1989. This time, though, audiences cheered in a 7-minute standing ovation after seeing her new film. The Piano shared the Palme d'Or with China's Farewell, My Concubine, another film that prominently featured an amputated finger.
· Studio executives were not excited when Spielberg began planning a movie about the Holocaust. One asked, "Why don't we just make a donation to the Holocaust Museum -- would that make you happy?" When Spielberg persisted, the execs would not give him the green light until he first made Jurassic Park. Spielberg was so eager to get to work on Schindler's List (which he'd had since 1982), that he did postproduction work on his dinosaur movie in Poland at night while working on the new film during the day.
· Philadelphia, the first film about AIDS undertaken by a major studio, opened to mixed reviews. However, it defied pessimistic predictions and became a box-office hit.
· For In the Name of the Father, Daniel Day-Lewis lost thirty pounds, ate cold porridge for breakfast just like a prisoner, prepared for an interrogation scene by going for several days without food or sleep, remained in a tiny cell on the set when he wasn't in front of the cameras, and -- in order to get easily rattled -- reportedly hired four guys to kick the door at random intervals. Olivier might have advised, "Try acting, dear boy."
· As Awards night approached, Schindler's List was the odds-on favorite for Best Picture. Even Ismail Merchant acknowledged, "We're all coming here to applaud Steven Spielberg. That's the spirit of this year's Oscars®."
· Cindy Adams' introduction of Leonardo DiCaprio to Celeste Holm at the East Coast Nominees Luncheon led to this interesting exchange. Holm: "What's he do?" Adams: "Nominated for an Oscar®." Holm: "As what?" Adams: "Actor. Best Supporting. What's Eating Gilbert Grape." Holm: "Lord, I wouldn't see that. Sounds like a pie-eating contest." DiCaprio didn't know who Holm was either. Adams: "Very famous actress. All About Eve? Gentleman's Agreement?" DiCaprio: "Never heard of them." Holm: "Rent them and learn the history of your industry... Take my advice, prepare a speech. I didn't."
· Originally, Macaulay Culkin was scheduled to give the award for Best Visual Effects. The plan was, after Culkin announced the nominees, he would say, "Could I have the envelope please?" A giant, roaring, animatronic T-Rex (from Jurassic Park) would then suddenly appear onstage, with the envelope naming the winners. After taking the envelope from the T-Rex's mouth, Culkin would return to the podium and say, "Thanks, Dad." Macaulay's father, Christopher Culkin, was offended by the line and demanded that it be cut from the show. When the Oscar® producers refused, Christopher Culkin pulled his son from the show, and Elijah Wood gave the award instead.


And, of course, here's the place where I have to put the disclaimer: This page was created for my own personal use and was intended for educational and entertainment purposes only. "Oscar" and "Academy Awards" are registered trademarks of the Academy of Motion Picture Arts and Sciences. The "Oscar" Statuette is copyrighted by the Academy of Motion Picture Arts and Sciences. These pages are neither authorized nor endorsed by the Academy of Motion Picture Arts and Sciences. I cannot take responsibility for any errors or omissions on these pages; i.e., if you lose a bet because of something I missed, don't expect me to pay it off!

Sidebar highlights come from several sources, most notably The Academy Awards® - The Complete Unofficial History, by Gail Kinn & Jim Piazza, and Inside Oscar® - The Unofficial History of the Academy Awards®, by Mason Wiley & Damien Bona.

This page is compiled by Gary Moody. If you have comments or questions about the page, please e-mail me at gary@theoscarsite.com.