A Farewell to Arms (1932)

In a 47-year career as sound recordist, sound mixer and composer at Paramount, Lewis amassed scores of credits, including TOM SAWYER (1930), A FAREWELL TO ARMS (1932), LIVES OF A BENGAL LANCER (1935), THE TEXAS RANGERS (1936), WELLS FARGO (1937), IF I WERE KING (1938), THE FARMER'S DAUGHTER (1940), HOLD BACK THE DAWN (1941), THE MAJOR AND THE MINOR (1942), SO PROUDLY WE HAIL! and FOR WHOM THE BELL TOLLS (both 1943), THE STRANGE LOVE OF MARTHA IVERS (1946), ROAD TO RIO (1947), THE ATOMIC CITY (1952), STALAG 17 (1953), SABRINA (1954), TO CATCH A THIEF, THE ROSE TATTOO and THE TROUBLE WITH HARRY (all 1955), THE RAINMAKER (1956), GUNFIGHT AT THE O.K. CORRAL (1957), VERTIGO (1958), LI'L ABNER (1959), G.I. BLUES (1960), MY GEISHA and ADVISE AND CONSENT (both 1962), THE CARDINAL (1963), IN HARM'S WAY (1965), NEVADA SMITH (1966), HURRY SUNDOWN (1967) and ROSEMARY'S BABY (1968).  Sound Recording 1932-33: A FAREWELL TO ARMS (w. Franklin B. Hansen, Sound Director) 1 nomination, 1 Award