theOscarSite Bio: French film editor who began as an assistant in the early 1980s: TOUT DÉPEND DES FILLES.../ IT ALL DEPENDS ON GIRLS (1980), QUE LE GROS SALAIRES LÈVENT LE DOIGT! (1982), and GARÇON! (1983). She spent a couple of years editing sound (LA NUIT BENGALI/BENGALI NIGHT, 1988; UN ÊTÉ D'ORANGES/A SUMMER OF ORANGES, 1989) and then moved to cutting French feature films. Notable credits include REGARDE LES HOMMES TOMBER / SEE HOW THEY FALL (1994), DÉJÀ MORT / ALREADY DEAD (1998), CIVILISÉES / A CIVILIZED PEOPLE (1999), UNE AFFAIR DE GOÛT / A MATTER OF TASTE (2000), SUR MES LÈVRES / READ MY LIPS and LE PETIT POUCET / TOM THUMB (both 2001), LA GUERRE À PARIS / THE WAR IN PARIS and ARAM (both 2002), JANIS ET JOHN (2003), RRRrrrr!!! (2004), DE BATTRE MON CŒUR S'EST ARRÊTÉ / THE BEAT OF MY HEART HAS SKIPPED (2005), LA SCIENCE DES RÊVES / THE SCIENCE OF SLEEP and PRÊTE-MOI TA MAIN / I DO: HOW TO GET MARRIED AND STAY SINGLE (both 2006), and MA PLACE AU SOLEIL / MY PLACE IN THE SUN and LE SCAPHANDRE ET LE PAPILLON / THE DIVING BELL AND THE BUTTERFLY (both 2007).

Welfling has been nominated for four César^® Awards for Best Editing, winning in 1995 for REGARDE LES HOMMES TOMBER, and again in 2006 for DE BATTRE MON CŒUR S'EST ARRÊTÉ.

· Achievement in Film Editing 2007: LE SCAPHANDRE ET LE PAPILLON (THE DIVING BELL AND THE BUTTERFLY)