Little Women (1949)

Set decorator who entered American film uncredited at MGM from 1935 to 1942 with NO MORE LADIES (1935), CAMILLE (1936), PARNELL (1937), THE WOMEN (1939), SUSAN AND GOD, BOOM TOWN and ESCAPE (all 1940), and SHIP AHOY and HER CARDBOARD LOVER (both 1942). In 1942, he began to be credited as an associate set decorator, and his 15 features in that capacity include SEVEN SWEETHEARTS, RANDOM HARVEST and KEEPER OF THE FLAME (all 1942), UNDERCURRENT (1946), THE HUCKSTERS (1947), B.F.'s DAUGHTER (1948), LITTLE WOMEN, THAT FORSYTE WOMAN and ON THE TOWN (all 1949), THE MAGNIFICENT YANKEE and THE ASPHALT JUNGLE (both 1950), and THE GREAT CARUSO (1951). Other set decorating credits, alone or in collaboration, include LIVING IN A BIG WAY (1947), COMMAND DECISION (1948), PAGAN LOVE SONG (1950), TOO YOUNG TO KISS (1951), LOVELY TO LOOK AT (1952), THE GIRL WHO HAD EVERYTHING (1953), THE LAST TIME I SAW PARIS (1954), INTERRUPTED MELODY, LOVE ME OR LEAVE ME and THE TENDER TRAP (all 1955), GABY (1956), SWEET CHARITY (1969), and his last film, AIRPORT (1970). Moore also worked as a set decorator on "The Adventures of Ozzie & Harriet" television series from 1963 to 1966.

Nominated for Interior Decoration (Black & White) 1942: RANDOM HARVEST - Interior Decoration (w. Edwin B. Willis)  Art Direction/Set Decoration (Color) 1949: LITTLE WOMEN - Set Decoration (w. Edwin B. Willis)  Nominated for Art Direction/Set Decoration (Black & White) 1951: TOO YOUNG TO KISS - Set Decoration (w. Edwin B. Willis)  Nominated for Art Direction/Set Decoration (Color) 1953: THE STORY OF THREE LOVES - Set Decoration (w. Edwin B. Willis, Keogh Gleason & Arthur Krams)  Nominated for Art Direction/Set Decoration (Color) 1953: YOUNG BESS - Set Decoration (w. Edwin B. Willis)  Nominated for Art Direction/Set Decoration 1969: SWEET CHARITY - Set Decoration  Nominated for Art Direction/Set Decoration 1970: AIRPORT - Set Decoration (w. Mickey S. Michaels) 7 nominations, 1 Award