Judgment at Nuremberg (1961)

Art director and production designer in Hollywood from 1936 until 1964. His art directing credits, alone or in collaboration, include A MESSAGE TO GARCIA and POOR LITTLE RICH GIRL (both 1936), IN OLD CHICAGO (1937), SUEZ (1938), TAIL SPIN (1939), LITTLE OLD NEW YORK (1940), ADAM HAD FOUR SONS (1941), THE LADY IS WILLING and THE TALK OF THE TOWN (assoc. a.d.) (both 1942), THE MORE THE MERRIER (1943), MR. WINKLE GOES TO WAR (1944), TONIGHT AND EVERY NIGHT, A THOUSAND AND ONE NIGHTS and OVER 21 (all 1945), PERILOUS HOLIDAY (1946), DEAD RECKONING (1947), PORT SAID and WALK A CROOKED MILE (both 1948), HOME OF THE BRAVE (1949), DAVY CROCKETT, INDIAN SCOUT (1950), and THE WELL (1951). As production designer, Sternad's credits include CHAMPION, A KISS FOR CORLISS and HOME OF THE BRAVE (all 1949), THE MEN and CYRANO DE BERGERAC (both 1950), DEATH OF A SALESMAN (1951), THE SNIPER, HIGH NOON, THE FOUR POSTER, THE HAPPY TIME and THE MEMBER OF THE WEDDING (all 1952), THE 5,000 FINGERS OF DR. T. and THE WILD ONE (both 1953), THE CAINE MUTINY (1954), NOT AS A STRANGER (1955), THE PRIDE AND THE PASSION (1957), THE DEFIANT ONES (1958), ON THE BEACH (1959), JUDGMENT AT NUREMBERG (1961), PRESSURE POINT (1962), A CHILD IS WAITING and IT'S A MAD MAD MAD MAD WORLD (both 1963), and his last film, LADY IN A CAGE (1964).  Nominated for Interior Decoration (Black & White) 1942: THE TALK OF THE TOWN - Art Direction (w. Lionel Banks)  Nominated for Interior Decoration (Color) 1945: A THOUSAND AND ONE NIGHTS - Art Direction (w. Stephen Goosson)  Nominated for Art Direction/Set Decoration (Black & White) 1961: JUDGMENT AT NUREMBERG - Art Direction 3 nominations