(At l.) with the Sherman Brothers & Bill Walsh

Started with Disney as a layout artist on 1940s cartoons (DER FUEHRER'S FACE, 1943) and moved into animated features with LADY AND THE TRAMP, 1955. He was color and styling or sequence consultant on ALICE IN WONDERLAND (1951), PETER PAN (1953), DARBY O'GILL AND THE LITTLE PEOPLE (1959), POLLYANNA (1960), THE ABSENT-MINDED PROFESSOR (1961) and THE PARENT TRAP (1961). He was production designer for SLEEPING BEAUTY, 1959, and writer for SON OF FLUBBER (1963), MARY POPPINS (1964), LT. ROBIN CRUSOE, U.S.N. (1966), BLACKBEARD'S GHOST (1968), THE LOVE BUG (1968), BEDKNOBS AND BROOMSTICKS (1971) and SCANDALOUS JOHN (1971).  Nominated for Writing (Best Story and Screenplay Based on Material from Another Medium) 1964: MARY POPPINS (w. Bill Walsh) 1 nomination