American film editor who distinguished himself in the 1970s with his work on furiously paced urban dramas, including THE FRENCH CONNECTION (1971), and has since applied the same vigorous pacing to a variety of genres, including dramas (APOCALYPSE NOW, 1979) and epics (REDS, 1981 - add'l ed.). His other notable editing credits include BYE BYE BRAVERMAN and THE SUBJECT WAS ROSES (both 1968), ALICE'S RESTAURANT (1969, assoc. film editor), THE BOYS IN THE BAND (1970), THEY MIGHT BE GIANTS (1971), THE STOOLIE (1972), ELECTRA GLIDE IN BLUE (1973), THE SEVEN-UPS (1973, supervising editor), THE TAKING OF PELHAM ONE TWO THREE (1974), THE HAPPY HOOKER (1975), THE MISSOURI BREAKS (1976), KRAMER vs. KRAMER (1979), DRESSED TO KILL and HEAVEN'S GATE (both 1980), STILL OF THE NIGHT (1982), SCARFACE (1983), BODY DOUBLE (1984), SAVAGE DAWN (1985), WISE GUYS and NO MERCY (both 1986), THE UNTOUCHABLES (1987), THE ACCUSED (1988), COLLISION COURSE and NATIONAL LAMPOON'S CHRISTMAS VACATION (both 1989), AWAKENINGS (1990), FOR THE BOYS (1991), SCHOOL TIES (1992), REACH THE ROCK and AMERICAN HISTORY X (both 1998), INSPECTOR GADGET (1999), DUETS and GET CARTER (both 2000), ANGEL EYES (2001), TRAPPED (2002), BRINGING DOWN THE HOUZE (2003), INVINCIBLE (2006), and PRIVILEGED (2007). In addition to his Academy Award nominations, Greenberg has been nominated for two ACE Awards and three BAFTA Film Awards.  Film Editing 1971: THE FRENCH CONNECTION  Nominated for Film Editing 1979: APOCALYPSE NOW (w. Richard Marks, Walter Murch & Lisa Fruchtman)  Nominated for Film Editing 1979: KRAMER vs. KRAMER 3 nominations, 1 Award