Richard L. Anderson

Supervising sound editor at Weddington Productions who entered American film with HOLLYWOOD BOULEVARD (1976). Other notable (non-nominated) credits include STAR TREK: THE MOTION PICTURE (1979), THE FINAL COUNTDOWN (1980), 48 HRS. and 2010 (both 1984), THE GOONIES and THE COLOR PURPLE (both 1985), PREDATOR (1987), BEETLEJUICE (1988), TREMORS and EDWARD SCISSORHANDS (both 1990), BATMAN RETURNS (1992), TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (1993), THE LION KING (1994), APOLLO 13 (1995), DRAGONHEART (1996), ANASTASIA (1997), ANTZ (1998), BEING JOHN MALKOVICH, VIRUS, STIGMATA and SLEEPY HOLLOW (all 1999), CATS & DOGS, PLANET OF THE APES and THE MAJESTIC (all 2001), UNCONDITIONAL LOVE (2002), SCORCHED, AGENT CODY BANKS, LEGALLY BLONDE 2: RED, WHITE & BLONDE and BROTHER BEAR (all 2003), ANCHORMAN: THE LEGEND OF RON BURGUNDY, WIN A DATE WITH TED HAMILTON, SHARK TALE and A LONELY PLACE (all 2004), HATE CRIME, THE GAME OF THEIR LIVES, MONSTER-IN-LAW and MADAGASCAR (all 2005), SHE'S THE MAN, OVER THE HEDGE, FLUSHED AWAY and THE RETURN (all 2006) and SHREK THE THIRD (2007).

 Special Achievement Award 1981: RAIDERS OF THE LOST ARK - Sound Effects Editing (w. Ben Burtt)
 Nominated for Sound Effects Editing 1982: POLTERGEIST (w. Stephen Hunter Flick)
 Nominated for Achievement in Sound Effects Editing 1996: DAYLIGHT (w. David A. Whittaker)

2 nominations, 1 Special Achievement Award