Born in London, England. Film editor who entered British film as a sound dubbing editor in 1957 and worked on several projects with noted directors Ken Russell and Ridley Scott. Other sound credits include THE POT CARRIERS, THE DOCK BRIEF and THE L-SHAPED ROOM (all 1962), THE AMOROUS ADVENTURES OF MOLL FLANDERS and LICENSED TO KILL (both 1965), BEDAZZLED (1967), ISADORA (1968), WOMEN IN LOVE (1969), THE MUSIC LOVERS (1970), THE DEVILS (1971), THE GAMBLER and THE GREAT GATSBY (both 1974), TOMMY (music editor) and LISZTOMANIA (both 1975), and THE DUELLISTS (1977). Some of Rawlings' notable film editing credits include THE SENTINEL (1977), WATERSHIP DOWN (1978), ALIEN (1979), THE AWAKENING (1980), CHARIOTS OF FIRE (1981), BLADE RUNNER (1982, supervising editor), YENTL (1983), LEGEND (1985), F/X (1986), BULLSEYE (1990), NOT WITHOUT MY DAUGHTER (1991), ALIEN3 (1992), NO ESCAPE and TRAPPED IN PARADISE (both 1994), GOLDENEYE (1995), THE SAINT (1997), U.S. MARSHALS (1998), ENTRAPMENT (1999), THE MUSKETEER (2001), THE CORE (2003), and Andrew Lloyd Webber's THE PHANTOM OF THE OPERA (2004). See the Editors Guild magazine for a detailed examination of Rawlings' career.  Nominated for Film Editing 1981: CHARIOTS OF FIRE 1 nomination