Supervising sound editor who entered American film as sound editor for THE BRINK'S JOB (1978). Other notable credits include THE MAIN EVENT (1979), CRUSING, FALLING IN LOVE AGAIN, INSIDE MOVES and USED CARS (all 1980), BUDDY BUDDY (1981), THE BORDER, CAT PEOPLE and E.T.--THE EXTRA-TERRESTRIAL (all 1982), FLASHDANCE and TO BE OR NOT TO BE (both 1983), ROMANCING THE STONE (1984), TO LIVE AND DIE IN L.A. (1985), THE MONEY PIT, RUTHLESS PEOPLE, TOUCH AND GO, AN AMERICAN TAIL and ¡THREE AMIGOS! (all 1986), THE LOST BOYS, THE RUNNING MAN and EMPIRE OF THE SUN (all 1987), LITTLE NIKITA, MY STEPMOTHER IS AN ALIEN and WHO FRAMED ROGER RABBIT (all 1988), WHEN HARRY MET SALLY... and THE LITTLE MERMAID (both 1989), BACK TO THE FUTURE PARTS II & III (1989 & 1990), FLATLINERS and MISERY (both 1990), THE MARRYING MAN, CITY SLICKERS, HOOK and THE ROCKETEER (all 1991), FREEJACK, THE MIGHTY DUCKS and A FEW GOOD MEN (all 1992), FALLING DOWN, IN THE NAME OF THE FATHER, BOUND BY HONOR and SCHINDLER'S LIST (all 1993), THE CLIENT and THE RIVER WILD (both 1994), THE ROCK, THE TRIGGER EFFECT and THE MIRROR HAS TWO FACES (all 1996), AMISTAD (1997), MERCHANTS OF VENUS (1998), DOUG'S 1ST MOVIE and THE ADVENTURES OF ELMO IN GROUCHLAND (both 1999), and THE TIGGER MOVIE (2000).  Best Achievement in Sound Effects Editing 1988: WHO FRAMED ROGER RABBIT (w. Charles L. Campbell) 1 nomination, 1 Award