Kirk Francis
Photo (2007) from aaton.com

Production sound mixer who entered American film with EXECUTIVE ACTION (1973). Other notable credits include SO EVIL, MY SISTER and I DISMEMBERED MAMA (both 1974), THE PSYCHOPATH (1975), THE AMAZING DOBERMANS (1976), JOEY and BROTHERS (both 1977), UFORIA (1980), UNDER FIRE (1983), GRANDVIEW, U.S.A. (1984), BABY... SECRET OF THE LOST LEGEND (1984), THE BEST OF TIMES (1986), WHITE WATER SUMMER (1987), BULL DURHAM (1988), BLAZE (1989), TEXASVILLE (1990), WHITE MEN CAN'T JUMP (1992), SLEEPLESS IN SEATTLE (1993), BLUE CHIPS, THE RIVER WILD and COBB (all 1994), JADE and MR. HOLLAND'S OPUS (both 1995), TIN CUP (1996), THE POSTMAN (1997), WONDER BOYS (2000), TUCK EVERLASTING (2002), HOLLYWOOD HOMICIDE (2003), THE BOURNE SUPREMACY, LADDER 49 and THE STANDARD v. 15 (all 2004), EIGHT BELOW and THE BREAK-UP (both 2005), THE BOURNE ULTIMATUM (2007), and EAGLE EYE (scheduld for release in 2008).

 Nominated for Achievement in Sound 1997: L.A. CONFIDENTIAL (w. Andy Nelson & Anna Behlmer)
 Best Achievement in Sound Mixing 2007: THE BOURNE ULTIMATUM (w. Scott Millan & David Parker)

2 nominations, 1 Award