theOscarSite Bio: Sound mixer who entered Mexican film as a sound engineer for MARÍA DE ME CORAZÓN / MARIA MY DEAREST (1979). Subsequent feature mixing credits include EL TANGO ES UNA HISTORIA (1983), DOÑA HERLINDA Y SU HIJO / DOÑA HERLINDA AND HER SON (1985), , HONEY I SHRUNK THE KIDS (Mexico, 1989), ANOCHE SOÑÉ CONTIGO / DREAMING ABOUT YOU (1992), CRONOS (1993), GUNMEN (1994), ALGUNAS NUBES (1995), THE ARRIVAL and ROMEO + JULIET (both 1996), McHALE'S NAVY (1997), VOCES INOCENTES / INNOCENT VOICES (2004), THE LEGEND OF ZORRO (2005), APOCALYPTO (2006), and EL VIAJE DE LA NONNA / NONNA'S TRIP and LOVE IN THE TIME OF CHOLERA (both 2007).

Camára's producing credits include NOCAUT / KNOCK OUT (1984), DOÑA LUPE (1985, exec. prod.), DE NOCHE VIENES, ESMERALDA / NIGHT COMES, ESMERALDA (1997), EL COMETA / THE COMET (1999), SEXO POR COMPASIÓN / COMPASSIONATE SEX (2000), and EL MISTERIO DE TRINIDAD (2003).

· Achievement in Sound Editing 2006: APOCALYPTO (w. Kevin O'Connell & Greg P. Russell)